{"id":1049,"date":"2015-04-16T23:15:53","date_gmt":"2015-04-16T20:15:53","guid":{"rendered":"http:\/\/insanveinsan.org\/?page_id=1049"},"modified":"2019-01-30T13:49:35","modified_gmt":"2019-01-30T11:49:35","slug":"sayi-4-bahar-2015","status":"publish","type":"page","link":"https:\/\/www.insanveinsan.org\/en\/sayi-4-bahar-2015\/","title":{"rendered":"Issue 4, Spring 2015"},"content":{"rendered":"<p><\/p>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><span style=\"color: default; font: 15px Trajan pro,arial,sans-serift;\">Say\u0131 4, Bahar 2015<\/span><\/td>\n<td style=\"text-align: right; border-bottom: 1px dashed gray; margin-top: -4%; margin-bottom: -0.8%;\">ISSN:\u00a02148-7537<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td width=\"85%\"><span style=\"color: default; font: 15px Trajan pro,arial,sans-serift;\">Makaleler<br \/>\nArticles<br \/>\n<\/span><\/td>\n<td width=\"15%\"><\/td>\n<\/tr>\n<tr>\n<td bgcolor=\"transparent\" width=\"85%\"><span style=\"color: default; font: 17px Trajan pro,arial,sans-serift;\">Emre Tansu Keten<\/span><br \/>\n<a title=\"K\u00fcresel Bir Modele Do\u011fru \u00c7in Medyas\u0131\" href=\"http:\/\/insanveinsan.org\/en\/kuresel-bir-modele-dogru-cin-medyasi\/\"><span style=\"text-decoration: none; font: italic 17px minion pro,arial,sans-serif;\">K\u00fcresel Bir Modele Do\u011fru \u00c7in Medyas\u0131<\/span><\/a><br \/>\n<a title=\"Chinese Media: Towards a Global Model\" href=\"http:\/\/insanveinsan.org\/en\/kuresel-bir-modele-dogru-cin-medyasi\/\"> <span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 17px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">Chinese Media: Towards a Global Model<\/span><\/a><\/td>\n<td style=\"text-align: right; vertical-align: middle;\" bgcolor=\"transparent\"><a title=\"K\u00fcresel Bir Modele Do\u011fru \u00c7in Medyas\u0131\" href=\"http:\/\/insanveinsan.org\/en\/kuresel-bir-modele-dogru-cin-medyasi\/\"><span style=\"color: default; font: 38px Trajan pro,arial,sans-serift;\">4<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td bgcolor=\"transparent\" width=\"85%\"><span style=\"color: default; font: 17px Trajan pro,arial,sans-serift;\">Seyfi Say<\/span><br \/>\n<a title=\"Propaganda i\u00e7in Kullan\u0131lan Bir \u00d6rtmece Olarak Kamu Diplomasisi Kavram\u0131\" href=\"http:\/\/insanveinsan.org\/en\/propaganda-icin-kullanilan-bir-ortmece-olarak-kamu-diplomasisi-kavrami\"><span style=\"text-decoration: none; font: italic 17px minion pro,arial,sans-serif;\">Propaganda i\u00e7in Kullan\u0131lan Bir \u00d6rtmece Olarak Kamu Diplomasisi Kavram\u0131<\/span><\/a><br \/>\n<a title=\"The Term Public Diplomacy Employed as a Euphemism for Propaganda\" href=\"http:\/\/insanveinsan.org\/en\/propaganda-icin-kullanilan-bir-ortmece-olarak-kamu-diplomasisi-kavrami\"> <span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 17px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">The Term Public Diplomacy Employed as a Euphemism for Propaganda<\/span><\/a><\/td>\n<td style=\"text-align: right; vertical-align: middle;\" bgcolor=\"transparent\"><a title=\"Propaganda i\u00e7in Kullan\u0131lan Bir \u00d6rtmece Olarak Kamu Diplomasisi Kavram\u0131\" href=\"http:\/\/insanveinsan.org\/en\/propaganda-icin-kullanilan-bir-ortmece-olarak-kamu-diplomasisi-kavrami\"><span style=\"color: default; font: 38px Trajan pro,arial,sans-serift;\">22<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td bgcolor=\"transparent\" width=\"85%\"><span style=\"color: default; font: 17px Trajan pro,arial,sans-serift;\">S\u00fcleyman S\u0131dal<\/span><br \/>\n<a title=\"\u0130kinci D\u00fcnya Sava\u015f\u0131 Sonras\u0131 Polonya Sinemas\u0131nda Milliyet\u00e7i Muhafazak\u00e2r Bir Y\u00f6netmen: Andrzej Wajda\" href=\"http:\/\/insanveinsan.org\/en\/ikinci-dunya-savasi-sonrasi-polonya-sinemasinda-milliyetci-muhafazakar-bir-yonetmen-andrzej-wajda\/\"><span style=\"text-decoration: none; font: italic 17px minion pro,arial,sans-serif;\">\u0130kinci D\u00fcnya Sava\u015f\u0131 Sonras\u0131 Polonya Sinemas\u0131nda Milliyet\u00e7i Muhafazak\u00e2r Bir Y\u00f6netmen: Andrzej Wajda<\/span><\/a><br \/>\n<a title=\"A Nationalist-Conservative Director in Polish Cinema After the Second World War: Andrzej Wajda\" href=\"http:\/\/insanveinsan.org\/en\/ikinci-dunya-savasi-sonrasi-polonya-sinemasinda-milliyetci-muhafazakar-bir-yonetmen-andrzej-wajda\/\"> <span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 17px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">A Nationalist-Conservative Director in Polish Cinema After the Second World War: Andrzej Wajda<\/span><\/a><\/td>\n<td style=\"text-align: right; vertical-align: middle;\" bgcolor=\"transparent\"><a title=\"\u0130kinci D\u00fcnya Sava\u015f\u0131 Sonras\u0131 Polonya Sinemas\u0131nda Milliyet\u00e7i Muhafazak\u00e2r Bir Y\u00f6netmen: Andrzej Wajda\" href=\"http:\/\/insanveinsan.org\/en\/ikinci-dunya-savasi-sonrasi-polonya-sinemasinda-milliyetci-muhafazakar-bir-yonetmen-andrzej-wajda\/\"><span style=\"color: default; font: 38px Trajan pro,arial,sans-serift;\">45<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td bgcolor=\"transparent\" width=\"85%\"><span style=\"color: default; font: 17px Trajan pro,arial,sans-serift;\">\u0130nci Yakut<\/span><br \/>\n<a title=\"16. Y\u00fczy\u0131l Osmanl\u0131 D\u00f6nemini Konu Alan D\u00f6nem Filmi Anlat\u0131s\u0131 i\u00e7in Bir Sembolik Anlam Ta\u015f\u0131y\u0131c\u0131s\u0131 Olan D\u00f6neme \u00d6zg\u00fc\n\u0130pek Lifli Giysi Dokumalar\u0131n\u0131n \u00d6zellikleri\" href=\"http:\/\/insanveinsan.org\/en\/16-yuzyil-osmanli-donemini-konu-alan-donem-filmi-anlatisi-icin-bir-sembolik-anlam-tasiyicisi-olan-doneme-ozgu-ipek-lifli-giysi-dokumalarinin-ozellikleri\/\"><span style=\"text-decoration: none; font: italic 17px minion pro,arial,sans-serif;\">16. Y\u00fczy\u0131l Osmanl\u0131 D\u00f6nemini Konu Alan D\u00f6nem Filmi Anlat\u0131s\u0131 i\u00e7in Bir Sembolik Anlam Ta\u015f\u0131y\u0131c\u0131s\u0131 Olan D\u00f6neme \u00d6zg\u00fc \u0130pek Lifli Giysi Dokumalar\u0131n\u0131n \u00d6zellikleri<\/span><\/a><br \/>\n<a title=\"The Features of Silk Fiber Clothing Weavings Relating to Period Being a Symbolic Meaning Producer for the 16th Century Ottoman Period Film Narrative\" href=\"http:\/\/insanveinsan.org\/en\/16-yuzyil-osmanli-donemini-konu-alan-donem-filmi-anlatisi-icin-bir-sembolik-anlam-tasiyicisi-olan-doneme-ozgu-ipek-lifli-giysi-dokumalarinin-ozellikleri\/\"> <span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 17px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">The Features of Silk Fiber Clothing Weavings Relating to Period Being a Symbolic Meaning Producer for the 16th Century Ottoman Period Film Narrative<\/span><\/a><\/td>\n<td style=\"text-align: right; vertical-align: middle;\" bgcolor=\"transparent\"><a title=\"16. Y\u00fczy\u0131l Osmanl\u0131 D\u00f6nemini Konu Alan D\u00f6nem Filmi Anlat\u0131s\u0131 i\u00e7in Bir Sembolik Anlam Ta\u015f\u0131y\u0131c\u0131s\u0131 Olan D\u00f6neme \u00d6zg\u00fc \u0130pek Lifli Giysi Dokumalar\u0131n\u0131n \u00d6zellikleri\" href=\"http:\/\/insanveinsan.org\/en\/16-yuzyil-osmanli-donemini-konu-alan-donem-filmi-anlatisi-icin-bir-sembolik-anlam-tasiyicisi-olan-doneme-ozgu-ipek-lifli-giysi-dokumalarinin-ozellikleri\/\"><span style=\"color: default; font: 38px Trajan pro,arial,sans-serift;\">69<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td bgcolor=\"transparent\" width=\"85%\"><span style=\"color: default; font: 15px Trajan pro,arial,sans-serift;\">\u0130nsan Haklar\u0131 Kitapl\u0131\u011f\u0131<br \/>\nHuman Rights Library<\/span><\/td>\n<td style=\"text-align: center; vertical-align: middle;\" bgcolor=\"transparent\"><\/td>\n<\/tr>\n<tr>\n<td bgcolor=\"transparent\" width=\"85%\"><a title=\"\u00c7ocuk Haklar\u0131na Dair S\u00f6zle\u015fme\" href=\"http:\/\/insanveinsan.org\/en\/cocuk-haklarina-dair-sozlesme\"><span style=\"text-decoration: none; font: italic 17px minion pro,arial,sans-serif;\">\u00c7ocuk Haklar\u0131na Dair S\u00f6zle\u015fme<\/span><\/a><\/td>\n<td style=\"text-align: right; vertical-align: middle;\" bgcolor=\"transparent\"><a title=\"\u00c7ocuk Haklar\u0131na Dair S\u00f6zle\u015fme\" href=\"http:\/\/insanveinsan.org\/en\/cocuk-haklarina-dair-sozlesme\"><span style=\"color: default; font: 38px Trajan pro,arial,sans-serift;\">83<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td bgcolor=\"transparent\" width=\"85%\"><a title=\"Convention on the Rights of the Child\" href=\"http:\/\/insanveinsan.org\/en\/convention-on-the-rights-of-the-child\"><span style=\"text-decoration: none; font: italic 17px minion pro,arial,sans-serif;\">Convention on the Rights of the Child<\/span><\/a><\/td>\n<td style=\"text-align: right; vertical-align: middle;\" bgcolor=\"transparent\"><a title=\"Convention on the Rights of the Child\" href=\"http:\/\/insanveinsan.org\/en\/convention-on-the-rights-of-the-child\"><span style=\"color: default; font: 38px Trajan pro,arial,sans-serift;\">102<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-119 size-full\" src=\"..\/wp-content\/uploads\/pdf-e1407190133528.png\" alt=\"\" width=\"50\" height=\"50\" \/><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">Year 2, Issue 4, Spring 2015<br \/>\nTam metin \/ Full text<\/span><\/p>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\"><img decoding=\"async\" alt=\"Creative Commons License\" style=\"border-width:0\" src=\"https:\/\/i.creativecommons.org\/l\/by-nc\/4.0\/80x15.png\" \/><\/a><br \/>This work is licensed under a <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/span><\/p>\n<div style=\"width: 240px;\">\n <span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/p>\n<div style=\"float: left; width: 20px;\"><i class=\"fa fa-eye\" aria-hidden=\"true\"><\/i><\/span><\/div>\n<p> <span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/p>\n<div style=\"float: left; width: 50px;\">[post-views]<\/div>\n<p><\/span><\/p>\n<div style=\"float: left; width: 20px;\"><i class=\"fa fa-download\" aria-hidden=\"true\"><\/i><\/div>\n<div style=\"float: left; width: 150px;\"><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><div class=\"sdm_download_count\"><span class=\"sdm_count_number\">1224<\/span><span class=\"sdm_count_string\"> Downloads<\/span><\/div><\/span><\/div>\n<p> <br style=\"clear: left;\" \/>\n<\/div>\n<div class=\"sdm_download_button_box_default\"><div class=\"sdm_download_link\"><a href=\"https:\/\/www.insanveinsan.org\/?sdm_process_download=1&download_id=2052\" class=\"sdm_download grey\" title=\"Issue 4Say\u0131 4\" target=&quot;_blank&quot;>Download Now!<\/a><\/div><\/div>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Say\u0131 4, Bahar 2015 ISSN:\u00a02148-7537 Makaleler Articles Emre Tansu Keten K\u00fcresel Bir Modele Do\u011fru \u00c7in Medyas\u0131 Chinese Media: Towards a Global Model 4 Seyfi Say Propaganda i\u00e7in Kullan\u0131lan Bir \u00d6rtmece Olarak Kamu Diplomasisi Kavram\u0131 The Term Public Diplomacy Employed as a Euphemism for Propaganda 22 S\u00fcleyman S\u0131dal \u0130kinci D\u00fcnya Sava\u015f\u0131 Sonras\u0131 Polonya Sinemas\u0131nda Milliyet\u00e7i Muhafazak\u00e2r &hellip; <a href=\"https:\/\/www.insanveinsan.org\/en\/sayi-4-bahar-2015\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Issue 4, Spring 2015<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1049","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages\/1049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=1049"}],"version-history":[{"count":0,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages\/1049\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=1049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}