{"id":5007,"date":"2022-04-01T21:44:38","date_gmt":"2022-04-01T18:44:38","guid":{"rendered":"https:\/\/www.insanveinsan.org\/?page_id=5007"},"modified":"2022-04-01T22:31:24","modified_gmt":"2022-04-01T19:31:24","slug":"sayi-32-bahar-2022","status":"publish","type":"page","link":"https:\/\/www.insanveinsan.org\/en\/sayi-32-bahar-2022\/","title":{"rendered":"Issue 32, Spring 2022"},"content":{"rendered":"

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Y\u0131l 9, Say\u0131 32, Bahar 2022<\/span><\/td>\nISSN: 2148-7537<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THEME OF THE ISSUE: ARTS, SOCIETY, AND POLITICS<\/em><\/span><\/p><\/blockquote>\n\n\n\n\n\n\n\n\n\n\n\n
Makaleler
\nArticles<\/span><\/td>\n		<\/td>\n<\/tr>\n
Salih Akkanat <\/span>
\nSokak \u00c7ocu\u011funun \u015eafa\u011f\u0131 ve Ayla\u011f\u0131n S\u0131k\u0131nt\u0131s\u0131: Walter Benjamin\u2019de Estetik Deneyimin \u00c7\u0131kmaz\u0131<\/span><\/a>
\n Dawn of the Street Child and the Boredom of the Fl\u00e2neur: The Aporia of Aesthetic Experience in Walter Benjamin<\/span><\/a><\/td>\n		13<\/span><\/a><\/td>\n<\/tr>\n
U\u011fur Y\u0131lmaz \/ Ece Nur Demir Y\u0131lmaz <\/span>
\n\u00c7a\u011fda\u015f G\u00f6rsel K\u00fclt\u00fcrde Estetik ve Sosyolojik \u0130mgelem<\/span><\/a>
\n Aesthetic and Sociological Imagination in Contemporary Visual Culture<\/span><\/a><\/td>\n		29<\/span><\/a><\/td>\n<\/tr>\n
Eren Deniz \u00d6z\u00e7in<\/span>
\nWeltpolitik ve Dostlu\u011fun \u201c\u00d6teki\u201d Y\u00fcz\u00fc: Alman Siyasal Karikat\u00fcrlerinde Osmanl\u0131 \u0130mgesi<\/span><\/a>
\n The Weltpolitik and \u201cOther\u201d Side of Friendship: The Ottoman Image in German Political Cartoons<\/span><\/a><\/td>\n		45<\/span><\/a><\/td>\n<\/tr>\n
Hatice Selen Ak\u00e7al\u0131 Uzunhasan<\/span>
\nG\u00f6r\u00fcnt\u00fclerin Sava\u015f\u0131: Alman ve \u0130ngiliz H\u00fck\u00fcmetlerinin \u0130kinci D\u00fcnya Sava\u015f\u0131\u2019nda T\u00fcrkiye\u2019deki G\u00f6rsel Propaganda Giri\u015fimleri<\/span><\/a>
\n War of Images: Visual Propaganda Efforts of German and British Governments in Turkey during the Second World War<\/span><\/a><\/td>\n		67<\/span><\/a><\/td>\n<\/tr>\n
Bet\u00fcl Mutlu <\/span>
\nEdebiyat, D\u00f6nem ve Siyaset \u0130li\u015fkisi Ba\u011flam\u0131nda Kuyucakl\u0131 Yusuf\u2019a Y\u00f6neltilen Ele\u015ftirel Bak\u0131\u015flar<\/span><\/a>
\n Critical Approaches on Kuyucakl\u0131 Yusuf in the Context of Relationship Between Literature, Period and Politics<\/span><\/a><\/td>\n		83<\/span><\/a><\/td>\n<\/tr>\n
Derya \u00c7etin \/ \u0130kbal Bozkurt Avc\u0131 <\/span>
\nEtkin Bir Min\u00f6r Sinema Olarak Modern Politik Sinema: \u201cBereketli Topraklar \u00dczerinde\u201d<\/span><\/a>
\n Modern Political Cinema as an Active Minor Cinema: \u201cOn Fertile Lands\u201d <\/span><\/a><\/td>\n		99<\/span><\/a><\/td>\n<\/tr>\n
Yusuf Ziya G\u00f6k\u00e7ek<\/span>
\nAy\u2019a Seyahat\u2019ten D\u00fcnya Sava\u015f\u0131 Z\u2019ye: Bilim Kurgu Filmlerinde Vah\u015fi\u2019nin Y\u00fczy\u0131ll\u0131k \u0130n\u015fas\u0131<\/span><\/a>
\n A Trip to the Moon to World War Z: A Hundred Years of Construction of the Savage in Science Fiction Movies<\/span><\/a><\/td>\n		111<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"
\nYear 9, Issue 32, Spring 2022
\nTam metin \/ Full text<\/span><\/p>\n

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Y\u0131l 9, Say\u0131 32, Bahar 2022 ISSN: 2148-7537 THEME OF THE ISSUE: ARTS, SOCIETY, AND POLITICS Makaleler Articles Salih Akkanat Sokak \u00c7ocu\u011funun \u015eafa\u011f\u0131 ve Ayla\u011f\u0131n S\u0131k\u0131nt\u0131s\u0131: Walter Benjamin\u2019de Estetik Deneyimin \u00c7\u0131kmaz\u0131 Dawn of the Street Child and the Boredom of the Fl\u00e2neur: The Aporia of Aesthetic Experience in Walter Benjamin 13 U\u011fur Y\u0131lmaz \/ Ece … Continue reading Issue 32, Spring 2022<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5007","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages\/5007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=5007"}],"version-history":[{"count":7,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages\/5007\/revisions"}],"predecessor-version":[{"id":5031,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages\/5007\/revisions\/5031"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=5007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}