{"id":5597,"date":"2025-07-04T22:15:05","date_gmt":"2025-07-04T19:15:05","guid":{"rendered":"https:\/\/www.insanveinsan.org\/?page_id=5597"},"modified":"2025-07-05T21:40:29","modified_gmt":"2025-07-05T18:40:29","slug":"sayi-40-yaz-2025","status":"publish","type":"page","link":"https:\/\/www.insanveinsan.org\/en\/sayi-40-yaz-2025\/","title":{"rendered":"Issue 40, Summer 2025"},"content":{"rendered":"

<\/p>\n\n\n\n
Y\u0131l 12, Say\u0131 40, Yaz 2025<\/span><\/td>\nISSN: 2148-7537<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THEME OF THE ISSUE: TURKISH CINEMA <\/em><\/span><\/p><\/blockquote>\n

IN MEMORY OF ASSOC. PROF. YAL\u00c7IN L\u00dcLEC\u0130<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Makaleler
\nArticles<\/span><\/td>\n		<\/td>\n<\/tr>\n
G\u00f6ksel Aymaz <\/span>
\nY\u0131lmaz G\u00fcney ve Nuri Bilge Ceylan Sinemas\u0131nda Modernizm<\/span><\/a>
\n Modernism in the Cinema of Y\u0131lmaz G\u00fcney and Nuri Bilge Ceylan<\/span><\/a><\/td>\n		11<\/span><\/a><\/td>\n<\/tr>\n
Mahmut Hakk\u0131 Ak\u0131n <\/span>
\nA\u015fk Filmlerinin Unutulmaz Y\u00f6netmeni ya da Ye\u015fil\u00e7am\u2019da Sembolik \u0130ktidar\u0131n Sosyolojik Analizi<\/span><\/a>
\n The Unforgettable Director of Love Films or the Sociological Analysis of Symbolic Power in Ye\u015fil\u00e7am<\/span><\/a><\/td>\n		25<\/span><\/a><\/td>\n<\/tr>\n
Z\u00fchre Canay G\u00fcven<\/span>
\nYeni T\u00fcrk Sinemas\u0131nda Yava\u015fl\u0131k ve Ayr\u0131\u015fan Estetik: Nuri Bilge Ceylan ve Zeki Demirkubuz<\/span><\/a>
\n Slowness and Diverging Aesthetics: Nuri Bilge Ceylan and Zeki Demirkubuz in New Turkish Cinema<\/span><\/a><\/td>\n		37<\/span><\/a><\/td>\n<\/tr>\n
Ferhat Zengin \/ Bahad\u0131r Kap\u0131r <\/span>
\nPerdenin Arkas\u0131ndaki Makas: Ye\u015fil\u00e7am Sinemas\u0131nda Gayri Resmi Sans\u00fcr<\/span><\/a>
\n The Scissors Behind the Screen: Unofficial Censorship in Ye\u015fil\u00e7am Cinema<\/span><\/a><\/td>\n		51<\/span><\/a><\/td>\n<\/tr>\n
Kemal \u00c7elik \/ \u0130hsan Eken <\/span>
\nT\u00fcrkiye’de Dizi ve Film Senaryolar\u0131ndan \u0130ntihal: Kavramlar, S\u0131n\u0131rlar ve Senarist Deneyimleri<\/span><\/a>
\n Plagiarism in TV and Film Screenplays in Turkey: Concepts, Boundaries, and Screenwriter Experiences<\/span><\/a><\/td>\n		69<\/span><\/a><\/td>\n<\/tr>\n
Mehmet Emin Balc\u0131 <\/span>
\nYeni Bir “Janr\u0131n” Sosyolojik Olu\u015fumu: Ta\u015fra Komedisi<\/span><\/a>
\n The Sociological Formation of a New “Genre”: Country Comedy<\/span><\/a><\/td>\n		87<\/span><\/a><\/td>\n<\/tr>\n
\u00d6zge Kesici \/ G\u00f6khan G\u00fcltekin <\/span>
\nToplumsal De\u011fi\u015fimin T\u00fcrk Komedi Filmlerine Yans\u0131mas\u0131: 1960’tan G\u00fcn\u00fcm\u00fcze \u00d6rnek Filmler \u00dczerinden Komedinin D\u00f6n\u00fc\u015f\u00fcm\u00fc<\/span><\/a>
\n The Reflection of Social Change on Turkish Comedy Films: The Transformation of the Ridiculous through Sample Films from 1960 to the Present<\/span><\/a><\/td>\n		105<\/span><\/a><\/td>\n<\/tr>\n
Meltem \u0130\u015fler Sevindi \/ Koray Sevindi<\/span>
\nManeviyat\u0131n \u0130zinde Bir Sinema: Murat Pay\u2019\u0131n Filmlerinde K\u00fclt\u00fcrel Miras ve Kimlik \u0130n\u015fas\u0131<\/span><\/a>
\n In Pursuit of Spirituality: Cultural Heritage and Identity Construction in the Films of Murat Pay<\/span><\/a><\/td>\n		123<\/span><\/a><\/td>\n<\/tr>\n
Ayd\u0131n \u00c7am <\/span>
\nSava\u015f\u0131n G\u00f6lgesinde Sinema: \u0130kinci D\u00fcnya Sava\u015f\u0131 S\u0131ras\u0131nda Adana’da Film G\u00f6sterimleri<\/span><\/a>
\n Cinema in the Shadow of the War: Film Exhibitions in Adana during the Second World War <\/span><\/a><\/td>\n		137<\/span><\/a><\/td>\n<\/tr>\n
Ay\u015feg\u00fcl \u00c7ilingir <\/span>
\nYe\u015fil\u00e7am’\u0131n Masallara Bak\u0131\u015f A\u00e7\u0131s\u0131na Dair S\u00fcreyya Duru’nun Kelo\u011flan (1971) Filmi \u00dczerine Bir Anlat\u0131 \u0130ncelemesi<\/span><\/a>
\n A Narrative Analysis of Ye\u015fil\u00e7am’s Perspective on Fairy Tales on S\u00fcreyya Duru’s Kelo\u011flan (1971) Movie<\/span><\/a><\/td>\n		155<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"
\nYear 12, Issue 40, Summer 2025
\nTam metin \/ Full text<\/span><\/p>\n

\n<\/p>\n
<\/div>\n

<\/span><\/p>\n

[post-views]<\/div>\n
<\/div>\n
2729<\/span> Downloads<\/span><\/div><\/span><\/div>\n


<\/p>\n

<\/span><\/div>\n

Download Now!<\/a><\/div><\/div>\n\n\n\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"Creative<\/a>
\nThis work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Y\u0131l 12, Say\u0131 40, Yaz 2025 ISSN: 2148-7537 THEME OF THE ISSUE: TURKISH CINEMA IN MEMORY OF ASSOC. PROF. YAL\u00c7IN L\u00dcLEC\u0130 Makaleler Articles G\u00f6ksel Aymaz Y\u0131lmaz G\u00fcney ve Nuri Bilge Ceylan Sinemas\u0131nda Modernizm Modernism in the Cinema of Y\u0131lmaz G\u00fcney and Nuri Bilge Ceylan 11 Mahmut Hakk\u0131 Ak\u0131n A\u015fk Filmlerinin Unutulmaz Y\u00f6netmeni ya da Ye\u015fil\u00e7am\u2019da … Continue reading Issue 40, Summer 2025<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5597","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages\/5597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=5597"}],"version-history":[{"count":7,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages\/5597\/revisions"}],"predecessor-version":[{"id":5636,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/pages\/5597\/revisions\/5636"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=5597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}