{"id":1059,"date":"2015-04-17T10:09:27","date_gmt":"2015-04-17T07:09:27","guid":{"rendered":"http:\/\/insanveinsan.org\/?p=1059"},"modified":"2018-04-09T23:34:28","modified_gmt":"2018-04-09T20:34:28","slug":"16-yuzyil-osmanli-donemini-konu-alan-donem-filmi-anlatisi-icin-bir-sembolik-anlam-tasiyicisi-olan-doneme-ozgu-ipek-lifli-giysi-dokumalarinin-ozellikleri","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/16-yuzyil-osmanli-donemini-konu-alan-donem-filmi-anlatisi-icin-bir-sembolik-anlam-tasiyicisi-olan-doneme-ozgu-ipek-lifli-giysi-dokumalarinin-ozellikleri\/","title":{"rendered":"The Features of Silk Fiber Clothing Weavings Relating to Period Being a Symbolic Meaning Producer for the 16th Century Ottoman Period Film Narrative"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify;\"><strong>Abstract: <\/strong> In this study, it has been examined which features have silk fiber clothing weaving as a symbolic narration means in the 16th Ottoman period film narrative. Examining symbolic features relating period that silk fiber weaving have will provide silk fiber weaving to be understood symbolic meaning creating level at character design at the period film narrative making proccess. It has been made critical literature assessment and visual text analysis. Silk fiber weaving used in the Ottoman period court life has a symbolic feature focusing on magnificence of sultan and court. Weavings used in costume designs of characters representing sultan and the other court members in the real court life for Ottoman period film narrative must have silk fiber or silk appearance valuable fabrics symbolizing social status of period. These create reality perception for character, space and events. Additionally, to be used silk fiber fabrics in clothing accessories and space weavings surrounding character will put forward value of weavings features of character costumes.<\/p>\n<p style=\"text-align: justify;\"><strong>Keywords: <\/strong> Otttoman period film, Narrative, Symbolic meaning, Silk fiber clothing weaving, Character design, Costume.<\/p>\n<h1>16. Y\u00fczy\u0131l Osmanl\u0131 D\u00f6nemini Konu Alan D\u00f6nem Filmi Anlat\u0131s\u0131 i\u00e7in Bir Sembolik Anlam Ta\u015f\u0131y\u0131c\u0131s\u0131 Olan D\u00f6neme \u00d6zg\u00fc \u0130pek Lifli Giysi Dokumalar\u0131n\u0131n \u00d6zellikleri<\/h1>\n<p style=\"text-align: justify;\"><strong>\u00d6zet: <\/strong> \u00c7al\u0131\u015fmada, 16. yy. Osmanl\u0131 d\u00f6nemi toplum ya\u015fant\u0131s\u0131n\u0131 konu alan d\u00f6nem filmi anlat\u0131s\u0131nda ipek lifli giysi dokumalar\u0131n\u0131n bir simgesel anlat\u0131m arac\u0131 olarak hangi \u00f6zellikleri ta\u015f\u0131d\u0131\u011f\u0131 irdelenecektir. \u00c7al\u0131\u015fmada, 16. yy. ipek lifli dokumalar\u0131n d\u00f6neme \u00f6zg\u00fc \u00f6ne \u00e7\u0131kan sembolik \u00f6zelliklerinin irdelenmesi, d\u00f6nem filmleri anlat\u0131s\u0131n\u0131n olu\u015fturulmas\u0131 s\u00fcrecinde ipek lifli dokumalar\u0131n \u00f6zellikle karakter tasar\u0131m\u0131ndaki sembolik anlam yaratma d\u00fczeyinin anla\u015f\u0131lmas\u0131n\u0131 olanakl\u0131 k\u0131lacakt\u0131r. \u00c7al\u0131\u015fmada ele\u015ftirel literat\u00fcr de\u011ferlendirmesi ve g\u00f6rsel metin \u00e7\u00f6z\u00fcmlemesi yap\u0131lm\u0131\u015ft\u0131r. 16. yy. Osmanl\u0131 d\u00f6nemi saray ya\u015fant\u0131s\u0131nda kullan\u0131lan ipekli giysi dokumalar\u0131 padi\u015fah ve saray\u0131n ihti\u015fam\u0131n\u0131 vurgulayan sembolik bir \u00f6zelli\u011fe sahiptir. 16. yy. Osmanl\u0131 saray ya\u015fant\u0131s\u0131n\u0131 konu alan d\u00f6nem filmleri anlat\u0131s\u0131nda saray ya\u015fant\u0131s\u0131nda \u00f6nemli rol oynayan \u00f6ncelikle padi\u015fah ve sonra di\u011fer \u015fehzade, hanedan \u00fcyeleri, saraydaki \u00fcst d\u00fczey g\u00f6revliler gibi saray mensuplar\u0131n\u0131 temsil eden karakterlerin kost\u00fcmlerinin tasar\u0131m\u0131nda kullan\u0131lacak dokumalar\u0131n, d\u00f6nemin sosyal hiyerar\u015fisindeki \u00fcst d\u00fczeydeki konumlar\u0131n\u0131 sembolize edecek \u015fekilde ipekten ya da ipek g\u00f6r\u00fcn\u00fcm\u00fcne sahip de\u011ferli kuma\u015flardan yap\u0131lmas\u0131n\u0131n sa\u011flanmas\u0131 gerekir. Bunlar, filmdeki karakterlere, mekana ve olaylara y\u00f6nelik ger\u00e7eklik alg\u0131s\u0131n\u0131n olu\u015fmas\u0131nda \u00f6nemli rol oynayacakt\u0131r. Ayr\u0131ca, giysi aksesuarlar\u0131ndaki ve karakteri \u00e7evreleyen mekandaki dokumalarda ipek lifli kuma\u015flar\u0131n kullan\u0131m\u0131 karakter kost\u00fcmlerinin dokuma \u00f6zelliklerinin de\u011ferini \u00f6ne \u00e7\u0131karacakt\u0131r.<\/p>\n<p style=\"text-align: justify;\"><strong>Anahtar kelimeler: <\/strong> Osmanl\u0131 d\u00f6nem filmi, anlat\u0131, sembolik anlam, ipek lifli giysi dokumas\u0131, karakter tasar\u0131m\u0131, kost\u00fcm.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>\u0130nci YAKUT<\/p>\n<hr \/>\n<p><a href=\"https:\/\/doi.org\/10.29224\/insanveinsan.279991\">DOI: 10.29224\/insanveinsan.279991<\/a><\/p>\n<hr \/>\n<p><a title=\"Issue 4, Spring 2015\" href=\"http:\/\/insanveinsan.org\/en\/sayi-4-bahar-2015\/\">Issue 4, Spring 2015<\/a><\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-119 size-full\" src=\"http:\/\/insanveinsan.org\/wp-content\/uploads\/pdf-e1407190133528.png\" alt=\"\" width=\"50\" height=\"50\" \/><br \/>\nTam metin \/ Full text<br \/>\n(Turkish)<\/p>\n<p><a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\"><img decoding=\"async\" alt=\"Creative Commons License\" style=\"border-width:0\" src=\"https:\/\/i.creativecommons.org\/l\/by-nc\/4.0\/80x15.png\" \/><\/a><br \/>This work is licensed under a <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/p>\n<div style=\"width: 230px;\">\n<div style=\"float: left; width: 20px;\"><i class=\"fa fa-eye\" aria-hidden=\"true\"><\/i><\/div>\n<div style=\"float: left; width: 45px;\">[post-views]<\/div>\n<div style=\"float: left; width: 20px;\"><i class=\"fa fa-download\" aria-hidden=\"true\"><\/i><\/div>\n<div style=\"float: left; width: 145px;\">[sdm-download-counter id=\"2013\"]<\/div>\n<p> <br style=\"clear: left;\" \/>\n<\/div>\n[sdm_download id=\"2013\" fancy=\"0\" new_window=\"1\" color=\"grey\"]\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1059","post","type-post","status-publish","format-standard","hentry","category-sayi-4-bahar-2015"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/1059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=1059"}],"version-history":[{"count":0,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/1059\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=1059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=1059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=1059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}