{"id":1688,"date":"2016-10-18T16:33:41","date_gmt":"2016-10-18T13:33:41","guid":{"rendered":"http:\/\/insanveinsan.org\/?p=1688"},"modified":"2018-04-09T22:00:22","modified_gmt":"2018-04-09T19:00:22","slug":"muhsin-ertugrul-turk-sinemasinin-kurucusu-mu-yoksa-gunah-kecisi-mi","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/muhsin-ertugrul-turk-sinemasinin-kurucusu-mu-yoksa-gunah-kecisi-mi\/","title":{"rendered":"Muhsin Ertu\u011frul: The Founder or the Scapegoat of Turkish Cinema?"},"content":{"rendered":"

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Abstract: <\/strong> Muhsin Ertu\u011frul (1892-1979) shaped the genetic codes of Turkish cinema with his films he shot in the early decades of the Rebuplic. The literature about Ertu\u011frul is dominated by Nijat \u00d6z\u00f6n\u2019s critics. Critics that are influenced by \u00d6z\u00f6n\u2019s arguments, held Ertu\u011frul responsible for the negativities of Turkish cinema. Alim \u015eerif Onaran\u2019s studies reduced the effect of biased critics about Ertu\u011frul to some extent. However, the difficulties of struggling in a severe poverty and being a precursor did not prevent Ertu\u011frul from being considered as a scapegoat. Muhsin Ertu\u011frul\u2019s theatrical identity supersedes his filmmaker identity as many historians of cinema stated before. Ertu\u011frul managed to go beyond average only in a few of his films. Even if his cinema heritage can be criticised in many ways, his effort for founding of Turkish cinema cannot be underestimated. Muhsin Ertu\u011frul has an exceptional place in the history of Turkish cinema because in severe poverty he managed to establish the cinema, which is the most technological branch of arts. Muhsin Ertu\u011frul\u2019s films can be watched as a reflection of the Kemalist modernisation project. Ertu\u011frul was a man of culture who struggled to realize the revolutions of the Republic with self-devotion. He was not only the man who made the Turkish women appear in the silver screen but also he became a representative of the ideals of the Rebuplic in field of art during all his life. For this purpose, he was obliged to undertake many missions such as teaching, directing, criticising, acting and translating at the same time. He laid the foundations of theatre and cinema in a country where fighting against epidemic diseases and educating its population at least in a level of primary school were only priorities. Thus, the aim of this study is to put forward the founder role of Muhsin Ertu\u011frul in Turkish cinema.<\/p>\n

Keywords: <\/strong> Turkish cinema, Muhsin Ertu\u011frul, The Republic, The role of founder.<\/p>\n

Muhsin Ertu\u011frul: T\u00fcrk Sinemas\u0131n\u0131n Kurucusu mu Yoksa G\u00fcnah Ke\u00e7isi mi? <\/h1>\n

\u00d6zet: <\/strong> Muhsin Ertu\u011frul (1892-1979), Cumhuriyet\u2019in ilk y\u0131llar\u0131nda \u00e7ekti\u011fi filmlerle T\u00fcrk sinemas\u0131n\u0131n genetik kodlar\u0131n\u0131 olu\u015fturmu\u015ftur. Ertu\u011frul hakk\u0131ndaki literat\u00fcrde daha \u00e7ok Nijat \u00d6z\u00f6n\u2019\u00fcn yazd\u0131klar\u0131 egemendir. \u00d6z\u00f6n\u2019\u00fcn ele\u015ftirilerinden yola \u00e7\u0131kanlar, Ertu\u011frul\u2019u T\u00fcrk sinemas\u0131ndaki olumsuzluklar\u0131n sorumlusu olarak g\u00f6rm\u00fc\u015flerdir. Alim \u015eerif Onaran\u2019\u0131n \u00e7al\u0131\u015fmalar\u0131, Muhsin Ertu\u011frul hakk\u0131ndaki \u00f6nyarg\u0131l\u0131 de\u011ferlendirmelerin etkisini bir \u00f6l\u00e7\u00fcde azaltm\u0131\u015ft\u0131r. Ne var ki yokluklar i\u00e7inde m\u00fccadele etmenin ve \u00f6nc\u00fc olman\u0131n zorluklar\u0131, Ertu\u011frul\u2019un bir g\u00fcnah ke\u00e7isi olarak g\u00f6r\u00fclmesini engelleyememi\u015ftir. Bir\u00e7ok sinema tarih\u00e7isinin de ifade etti\u011fi gibi, Muhsin Ertu\u011frul\u2019un tiyatroculu\u011fu sinemac\u0131l\u0131\u011f\u0131na a\u011f\u0131r basmaktad\u0131r. Ertu\u011frul, ancak birka\u00e7 filminde vasat\u0131n \u00fczerine \u00e7\u0131kabilmi\u015ftir. Onun sinema miras\u0131 bir\u00e7ok a\u00e7\u0131dan ele\u015ftirilebilirse de T\u00fcrkiye\u2019de sineman\u0131n varolabilmesi i\u00e7in harcad\u0131\u011f\u0131 \u00e7aba g\u00f6z ard\u0131 edilemez. Teknolojiye en \u00e7ok ba\u011fl\u0131 sanat dal\u0131 olan sinemay\u0131 yokluklar i\u00e7inde var edebilmi\u015f olmas\u0131 Muhsin Ertu\u011frul\u2019u T\u00fcrk sinema tarihi i\u00e7inde ayr\u0131cal\u0131kl\u0131 bir yere oturtur. Muhsin Ertu\u011frul\u2019un filmleri, Kemalist modernle\u015fme projesinin sinemadaki yans\u0131mas\u0131 olarak izlenebilir. Ertu\u011frul, Cumhuriyet devrimlerinin hayata ge\u00e7irilmesi i\u00e7in \u00f6zveriyle m\u00fccadele etmi\u015f bir k\u00fclt\u00fcr adam\u0131d\u0131r. T\u00fcrk kad\u0131n\u0131n\u0131 ilk kez beyaz perdeye \u00e7\u0131karmakla kalmam\u0131\u015f; t\u00fcm hayat\u0131 boyunca Cumhuriyet\u2019in ideallerinin sanat alan\u0131ndaki temsilcisi olmu\u015ftur. Bu ama\u00e7la e\u011fitmenlik, y\u00f6netmenlik, ele\u015ftirmenlik, oyunculuk ve \u00e7evirmenlik gibi bir\u00e7ok misyonu ayn\u0131 anda y\u00fcklenmek zorunda kalm\u0131\u015ft\u0131r. Salg\u0131n hastal\u0131klarla bo\u011fu\u015fmak ve n\u00fcfusunu en az\u0131ndan ilkokul d\u00fczeyinde e\u011fitmek gibi \u00f6ncelikleri olan bir \u00fclkede tiyatro ve sinema sanat\u0131n\u0131n temellerini atm\u0131\u015ft\u0131r. Nitekim bu \u00e7al\u0131\u015fman\u0131n amac\u0131, Muhsin Ertu\u011frul\u2019un T\u00fcrk sinemas\u0131ndaki kurucu rol\u00fcn\u00fc ortaya koymakt\u0131r.<\/p>\n

Anahtar kelimeler: <\/strong> T\u00fcrk sinemas\u0131, Muhsin Ertu\u011frul, Cumhuriyet, Kurucu rol.<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Se\u00e7kin SEV\u0130M<\/p>\n

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DOI: 10.29224\/insanveinsan.280023<\/a><\/p>\n

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Year 3, Issue 10, Fall 2016<\/a><\/p>\n

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\"\"
\nTam metin \/ Full text
\n(Turkish)<\/p>\n

\"Creative<\/a>
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/p>\n

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