{"id":2781,"date":"2018-04-30T01:14:21","date_gmt":"2018-04-29T22:14:21","guid":{"rendered":"http:\/\/insanveinsan.org\/?p=2781"},"modified":"2018-05-10T01:41:50","modified_gmt":"2018-05-09T22:41:50","slug":"hepimiz-peyami-safanin-sozde-kizlarindan-ciktik","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/hepimiz-peyami-safanin-sozde-kizlarindan-ciktik\/","title":{"rendered":"We All Came out of Peyami Safa\u2019s So-Called Girls"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify;\"><strong>Abstract: <\/strong> The article examines the ambivalent attitude of Turkish melodramas, known as Ye\u015fil\u00e7am films, towards tradition and modernity, east and west, alaturca and alafranga in the context of love stories between generally a poor, rural and a traditional woman and a westernized, urban and a rich man. The ambivalence arises from the desire to balance the eastern and western in a single person (society) \u2013 a person with an eastern and traditional soul and a western and a modern body. It argues that the narrative, characters, symbolisms and signifiers used to identify the binary characters, life styles, values and moralities in these films are reminiscient and evocative of Peyami Safa\u2019s novels which dichotomize east and West in terms of spirit vs. matter, soul vs. body. It futher argues that the modernization Project which positioned the ideal woman between tradition and modernity, was valid for men, too.<\/p>\n<p style=\"text-align: justify;\"><strong>Keywords: <\/strong> Ye\u015fil\u00e7am, East-West, Peyami Safa.<\/p>\n<h1> Hepimiz Peyami Safa\u2019n\u0131n S\u00f6zde K\u0131zlar\u2019\u0131ndan \u00c7\u0131kt\u0131k <\/h1>\n<p style=\"text-align: justify;\"><strong>\u00d6z: <\/strong> Makale Ye\u015fil\u00e7am filmleri olarak da bilinen melodramlar\u0131n genellikle yoksul, k\u00f6yl\u00fc ve geleneksel bir kad\u0131n ile bat\u0131l\u0131la\u015fm\u0131\u015f, \u015fehirli ve zengin erkek aras\u0131ndaki a\u015fk hikayeleri ba\u011flam\u0131nda ele ald\u0131\u011f\u0131 gelenek ile modernlik, do\u011fu ile bat\u0131, alaturka ile alafranga kar\u015f\u0131tl\u0131\u011f\u0131na kar\u015f\u0131 ikircikli tutumunu inceliyor. \u0130kircikli tutumun do\u011fulu ve bat\u0131l\u0131y\u0131 \u2013do\u011fulu ve geleneksel bir ruha ve bat\u0131l\u0131 ve modern bir bedene sahip- tek bir ki\u015fide (toplumda) dengeleme arzusundan kaynaklanmaktad\u0131r. Bu filmlerdeki kar\u015f\u0131t karakterleri, ya\u015fam tarzlar\u0131n\u0131, de\u011ferler ve ahlak\u0131 belirlemede kullan\u0131lan anlat\u0131, karakter, sembolizm ve g\u00f6stergelerin Peyami Safa\u2019n\u0131n do\u011fu ile bat\u0131y\u0131 tin ve madde, ruh ve beden ayr\u0131m\u0131 \u00fczerinden z\u0131t gruplara b\u00f6len romanlar\u0131n\u0131 hat\u0131rlat\u0131p, \u00e7a\u011fr\u0131\u015ft\u0131rd\u0131\u011f\u0131n\u0131 savunuyor. Ayr\u0131ca ideal kad\u0131n\u0131 gelenek ile modernlik aras\u0131nda konumland\u0131ran modernle\u015fme projesinin erkekler i\u00e7in de ge\u00e7erli oldu\u011funu tart\u0131\u015f\u0131yor.<\/p>\n<p style=\"text-align: justify;\"><strong>Anahtar kelimeler: <\/strong> Ye\u015fil\u00e7am, Do\u011fu-Bat\u0131, Peyami Safa.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Arus Yumul<\/p>\n<hr \/>\n<p><a href=\"https:\/\/doi.org\/10.29224\/insanveinsan.395221\">DOI: 10.29224\/insanveinsan.395221<\/a><\/p>\n<hr \/>\n<p><a title=\u201cIssue 16, Spring 2018\u201d href=\u201chttp:\/\/insanveinsan.org\/en\/sayi-16-bahar-2018\/\u201d>Year 5, Issue 16, Spring 2018<\/a><\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-119 size-full\" src=\"http:\/\/insanveinsan.org\/wp-content\/uploads\/pdf-e1407190133528.png\" alt=\"\" width=\"50\" height=\"50\" \/><br \/>\nTam metin \/ Full text<br \/>\n(Turkish)<\/p>\n<p><a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\"><img decoding=\"async\" alt=\"Creative Commons License\" style=\"border-width:0\" src=\"https:\/\/i.creativecommons.org\/l\/by-nc\/4.0\/80x15.png\" \/><\/a><br \/>This work is licensed under a <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/p>\n<div style=\"width: 230px;\">\n<div style=\"float: left; width: 20px;\"><i class=\"fa fa-eye\" aria-hidden=\"true\"><\/i><\/div>\n<div style=\"float: left; width: 45px;\">[post-views]<\/div>\n<div style=\"float: left; width: 20px;\"><i class=\"fa fa-download\" aria-hidden=\"true\"><\/i><\/div>\n<div style=\"float: left; width: 145px;\">[sdm-download-counter id=\"2779\"]<\/div>\n<p> <br style=\"clear: left;\" \/>\n<\/div>\n[sdm_download id=\"2779\" fancy=\"0\" new_window=\"1\" color=\"grey\"]\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-2781","post","type-post","status-publish","format-standard","hentry","category-sayi-16-bahar-2018"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/2781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=2781"}],"version-history":[{"count":0,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/2781\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=2781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=2781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=2781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}