{"id":3264,"date":"2019-02-03T19:56:36","date_gmt":"2019-02-03T17:56:36","guid":{"rendered":"https:\/\/insanveinsan.org\/?p=3264"},"modified":"2019-02-11T00:39:30","modified_gmt":"2019-02-10T22:39:30","slug":"cagdas-sanat-ve-kimlik-grayson-perry-eserleri-uzerinden-bir-inceleme","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/cagdas-sanat-ve-kimlik-grayson-perry-eserleri-uzerinden-bir-inceleme\/","title":{"rendered":"Contemporary Art and Identity: A Review from Grayson Perry Artworks"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify; font-size: 15px\";><strong>\u00c7i\u011fdem Sa\u00e7 Kavrayan<\/strong><\/p>\n<p style=\"text-align: justify; font-size: 15px\";><strong>Abstract: <\/strong> From the 1960s to the present, contemporary art forms a movement in which artists are completely differentiated in terms of production methods. Contemporary art deals with concepts such as feminism, globalization, environment, technology, identity and class. It is seen that contemporary artists differ with interdisciplinary studies, various materials and different techniques. Contemporary artists also discuss different sexual identities and sub-identities within their wide range of interests. Grayson Perry is one of Britain\u2019s most renowned contemporary artists. It is considered to be one of the most extraordinary and iconic names of contemporary art. Grayson Perry discusses class differences in society, modern problems and issues of identity. Grayson Perry, who works in ceramics, printing and sculpture, uses various materials such as silk, cotton fabric, rice, photography in his compositions. This study examines Grayson Perry\u2019s concept of identity in his compositions.<\/p>\n<p style=\"text-align: justify; font-size: 15px\";><strong>Keywords: <\/strong> Art, Contemporary art, Grayson Perry, Identity, Class.<\/p>\n<h1> \u00c7a\u011fda\u015f Sanat ve Kimlik: Grayson Perry Eserleri \u00dczerinden Bir \u0130nceleme <\/h1>\n<p style=\"text-align: justify; font-size: 15px\";><strong>\u00d6z: <\/strong> 1960\u2019l\u0131 y\u0131llardan g\u00fcn\u00fcm\u00fcze kadar s\u00fcregelen \u00e7a\u011fda\u015f sanat, \u00fcretim y\u00f6ntemleri a\u00e7\u0131s\u0131ndan sanat\u00e7\u0131lar\u0131n tamamen farkl\u0131la\u015ft\u0131\u011f\u0131 bir ak\u0131m\u0131 olu\u015fturmaktad\u0131r. \u00c7a\u011fda\u015f sanat feminizm, k\u00fcreselle\u015fme, \u00e7evre, teknoloji, kimlik, s\u0131n\u0131f gibi kavramlarla ilgilenmektedir. \u00c7a\u011fda\u015f sanat\u00e7\u0131lar\u0131n disiplinler aras\u0131 \u00e7al\u0131\u015fmalar, \u00e7e\u015fitli materyaller, de\u011fi\u015fik teknikler ile farkl\u0131la\u015ft\u0131klar\u0131 g\u00f6r\u00fclmektedir. \u00c7a\u011fda\u015f sanat\u00e7\u0131lar geni\u015f ilgi alanlar\u0131 i\u00e7inde farkl\u0131 cinsel kimlikler ve alt kimlikleri de tart\u0131\u015fmaktad\u0131r. Grayson Perry, Britanya\u2019n\u0131n en tan\u0131nm\u0131\u015f \u00e7a\u011fda\u015f sanat\u00e7\u0131lar\u0131 aras\u0131nda yer almaktad\u0131r. G\u00fcn\u00fcm\u00fcz \u00e7a\u011fda\u015f sanat\u0131n\u0131n en s\u0131ra d\u0131\u015f\u0131 ve ikonik isimlerinden biri olarak nitelendirilmektedir. Grayson Perry, toplumdaki s\u0131n\u0131f farklar\u0131n\u0131, modern s\u0131k\u0131nt\u0131lar\u0131 ve kimlik meselelerini ele almaktad\u0131r. Seramik, bask\u0131 ve heykel \u00e7al\u0131\u015fan Grayson Perry, eserlerinde ipek, pamuklu kuma\u015f, pirin\u00e7, foto\u011fraf gibi \u00e7e\u015fitli malzemeler kullanmaktad\u0131r. Bu \u00e7al\u0131\u015fmada Grayson Perry\u2019nin kimlik kavram\u0131n\u0131 eserlerinde ele al\u0131\u015f\u0131 incelenmektedir.<\/p>\n<p style=\"text-align: justify; font-size: 15px\";><strong>Anahtar kelimeler: <\/strong> Sanat, \u00c7a\u011fda\u015f sanat, Grayson Perry, Kimlik, S\u0131n\u0131f.<\/p>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">\u00c7i\u011fdem Sa\u00e7 Kavrayan<\/span><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><a href=\"https:\/\/doi.org\/10.29224\/insanveinsan.407617\">DOI: 10.29224\/insanveinsan.407617<\/a><\/span><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><a title=\"Issue 19, Winter 2019\" href=\"\/en\/sayi-19-kis-2019\/\">Year 6, Issue 19, Winter 2019<\/a><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-119 size-full\" src=\"\/wp-content\/uploads\/pdf-e1407190133528.png\" alt=\"\" width=\"50\" height=\"50\" \/><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">Tam metin \/ Full text<br \/>\n(Turkish)<\/span><\/p>\n<div style=\"width: 230px;\">\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/p>\n<div style=\"float: left; width: 20px;\"><img decoding=\"async\" style=\"border-width:0\" src=\"\/wp-content\/uploads\/izleme-icon.png\" \/><\/span><\/div>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/p>\n<div style=\"float: left; width: 40px;\">[post-views]<\/div>\n<p><\/span><\/p>\n<div style=\"float: left; width: 20px;\"><img decoding=\"async\" style=\"border-width:0\" src=\"\/wp-content\/uploads\/indirme-icon.png\" \/><\/i><\/div>\n<div style=\"float: left; width: 145px;\"><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><div class=\"sdm_download_count\"><span class=\"sdm_count_number\">397<\/span><span class=\"sdm_count_string\"> Downloads<\/span><\/div><\/span><\/div>\n<p> <br style=\"clear: left;\" \/>\n<\/div>\n<div class=\"sdm_download_button_box_default\"><div class=\"sdm_download_link\"><a href=\"https:\/\/www.insanveinsan.org\/?sdm_process_download=1&download_id=3211\" class=\"sdm_download grey\" title=\"19-4 \u00c7i\u011fdem Sa\u00e7 Kavrayan\" target=&quot;_blank&quot;>Download Now!<\/a><\/div><\/div>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"> <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\"><img decoding=\"async\" alt=\"Creative Commons License\" style=\"border-width:0\" src=\"https:\/\/i.creativecommons.org\/l\/by-nc\/4.0\/80x15.png\" \/><\/a><br \/>This work is licensed under a <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/span><br \/>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00c7i\u011fdem Sa\u00e7 Kavrayan Abstract: From the 1960s to the present, contemporary art forms a movement in which artists are completely differentiated in terms of production methods. Contemporary art deals with concepts such as feminism, globalization, environment, technology, identity and class. It is seen that contemporary artists differ with interdisciplinary studies, various materials and different techniques. &hellip; <a href=\"https:\/\/www.insanveinsan.org\/en\/cagdas-sanat-ve-kimlik-grayson-perry-eserleri-uzerinden-bir-inceleme\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Contemporary Art and Identity: A Review from Grayson Perry Artworks<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-3264","post","type-post","status-publish","format-standard","hentry","category-sayi-19-kis-2019"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/3264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=3264"}],"version-history":[{"count":0,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/3264\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=3264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=3264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=3264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}