{"id":3445,"date":"2019-04-29T02:35:48","date_gmt":"2019-04-28T23:35:48","guid":{"rendered":"https:\/\/insanveinsan.org\/?p=3445"},"modified":"2019-04-29T02:55:12","modified_gmt":"2019-04-28T23:55:12","slug":"j-s-bachin-cello-suitlerine-iliskin-bir-literatur-incelemesi","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/j-s-bachin-cello-suitlerine-iliskin-bir-literatur-incelemesi\/","title":{"rendered":"A Literature Review of J. S. Bach\u2019s Cello Suites"},"content":{"rendered":"

<\/p>\n

Evin Erden Topo\u011flu<\/strong><\/p>\n

Abstract: <\/strong> The works of J. S. Bach are autographs or copies and some of them are lost. In this sense it is much more difficult for performers to know what the composer exactly wants. There are four manuscripts of J.S. Bach Cello Suites that has survived. The only source that has been reached to the present day is the autograph of the 5th suite\u2019s lute transcription. Due to the missing autographs of these suites, when and for how long they were written is based on estimates. Limited and mysterious knowledge of these works cause uncertainty about the interpretation, but on the other hand, it offered a substantial sense of interpretation. In this sense, the aim of this study is to examine the literature about the role of the J. S. Bach cello suites in the Baroque period and in the present.<\/p>\n

Keywords: <\/strong> J. S. Bach, Cello suites, Manuscripts.<\/p>\n

J. S. Bach\u2019\u0131n \u00c7ello S\u00fcitlerine \u0130li\u015fkin Bir Literat\u00fcr \u0130ncelemesi<\/h1>\n

\u00d6z: <\/strong> J. S. Bach\u2019\u0131n eserleri el yazmas\u0131 veya kopya durumunda olup bu eserlerin bir k\u0131sm\u0131 kaybolmu\u015ftur. Bu durum, bestecinin ne istedi\u011finin tam olarak bilinememesine neden olmakta ve eserlerinin yorumlanmas\u0131n\u0131 daha da zorla\u015ft\u0131rmaktad\u0131r. J. S. Bach\u2019\u0131n \u00c7ello S\u00fcitlerinin g\u00fcn\u00fcm\u00fcze kadar ula\u015fan d\u00f6rt kopya el yazmas\u0131 bulunmaktad\u0131r. Bu eserlere ili\u015fkin g\u00fcn\u00fcm\u00fcze kadar ula\u015fm\u0131\u015f otograf olan tek kaynak ise 5. s\u00fcitin lavta transkripsiyonudur. Bu s\u00fcitlerin otograflar\u0131n\u0131n kay\u0131p olmas\u0131 nedeniyle, ne zaman ve ne s\u00fcrede yaz\u0131ld\u0131klar\u0131 ancak tahminlere dayanmaktad\u0131r. Hakk\u0131nda sahip olunan bilgilerin k\u0131s\u0131tl\u0131 olmas\u0131 bir taraftan eserlerin yorumlanmas\u0131 konusunda belirsizliklere yol a\u00e7sa da di\u011fer taraftan zengin bir yorumlama anlay\u0131\u015f\u0131 f\u0131rsat\u0131 sunmu\u015ftur. Bu ba\u011flamda, bu \u00e7al\u0131\u015fman\u0131n amac\u0131 barok d\u00f6nem i\u00e7erisinde ve g\u00fcn\u00fcm\u00fczde J. S. Bach\u2019\u0131n \u00e7ello s\u00fcitlerinin yerini irdeleyerek bu eserlere ili\u015fkin literat\u00fcr\u00fc incelemektir.<\/p>\n

Anahtar kelimeler: <\/strong> J. S. Bach, \u00c7ello s\u00fcitleri, El yazmalar\u0131.<\/p>\n\n\n\n
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Evin Erden Topo\u011flu<\/span>
\nDOI: 10.29224\/insanveinsan.491111<\/a><\/span>
\nYear 6, Issue 20, Spring 2019<\/a><\/span><\/p>\n

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Evin Erden Topo\u011flu Abstract: The works of J. S. Bach are autographs or copies and some of them are lost. In this sense it is much more difficult for performers to know what the composer exactly wants. There are four manuscripts of J.S. Bach Cello Suites that has survived. The only source that has been … Continue reading A Literature Review of J. S. Bach\u2019s Cello Suites<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-3445","post","type-post","status-publish","format-standard","hentry","category-sayi-20-bahar-2019"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/3445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=3445"}],"version-history":[{"count":0,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/3445\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=3445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=3445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=3445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}