{"id":3467,"date":"2019-04-29T11:51:59","date_gmt":"2019-04-29T08:51:59","guid":{"rendered":"https:\/\/insanveinsan.org\/?p=3467"},"modified":"2019-04-29T11:51:59","modified_gmt":"2019-04-29T08:51:59","slug":"kadin-haklari-ve-algisinin-ideolojik-oruntusu-kadem-ornegi","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/kadin-haklari-ve-algisinin-ideolojik-oruntusu-kadem-ornegi\/","title":{"rendered":"The Ideological Surroundings of Women\u2019s Rights and Perception: The Case of KADEM"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Ekmel Ge\u00e7er \/ Esra K\u0131ymaz<\/strong><\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Abstract: <\/strong> The issue of violence against women has been able to be on the social agenda particularly through support of media courses. However, although the violence against woman well-represented in the media and echoed in the political arena, due to the traditional, local and cultural codes the struggle against the violence has not been successful and the social sensitivity has not been developed. Therefore, this study, aims to analyse the role of an NGO, which works for women rights in Turkey, in women studies and its eligibility in answering the problems regarding the gender issues. The theoretical background has been based on the feminist existentialism. The methodology, being structured on the conservative and feminist point of view, semiotically analysed the visual and written campaigns of the Women and Democracy Association (KADEM). Although the results demonstrate the success and attractiveness of KADEM\u2019s campaigns, the setup of their operations was formed within the context of conservative ideology and traditional dynamics.<\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Keywords: <\/strong> Woman movement, Feminist existentialism, Media, KADEM, Conservatism.<\/p>\n<h1> Kad\u0131n Haklar\u0131 ve Alg\u0131s\u0131n\u0131n \u0130deolojik \u00d6r\u00fcnt\u00fcs\u00fc: KADEM \u00d6rne\u011fi <\/h1>\n<p style=\"text-align: justify; font-size: 15px\"><strong>\u00d6z: <\/strong> Kad\u0131na y\u00f6nelik \u015fiddet konusu, medya ara\u00e7lar\u0131n\u0131n da deste\u011fiyle son zamanlarda toplumun g\u00fcndeminde olmay\u0131 ba\u015farabilmi\u015ftir. Ancak, medyadaki temsili g\u00fc\u00e7lenmi\u015f olmas\u0131na ve politik arenada kar\u015f\u0131l\u0131k bulmas\u0131na ra\u011fmen, geleneksel, yerel ve k\u00fclt\u00fcrel kodlamalar nedeniyle \u015fiddetle m\u00fccadele konusunda hen\u00fcz istenilen anlamda ba\u015far\u0131 elde edilememi\u015f ve yeterli duyarl\u0131l\u0131k geli\u015ftirilememi\u015ftir. Bu ba\u011flamda, elinizdeki makalede, T\u00fcrkiye\u2019de kad\u0131n haklar\u0131n\u0131 savunan bir sivil toplum \u00f6rg\u00fct\u00fcn\u00fcn kad\u0131n \u00e7al\u0131\u015fmalar\u0131ndaki rol\u00fc ve kad\u0131n\u0131n varolu\u015f sorununa cevap verme yeterlili\u011fi analiz edilmi\u015ftir. Kavramsal \u00e7er\u00e7eve varolu\u015f\u00e7u feminizm etraf\u0131nda olu\u015fturulmu\u015ftur. Y\u00f6ntem olarak, Kad\u0131n ve Demokrasi Derne\u011finin (KADEM) kad\u0131na y\u00f6nelik \u015fiddete kar\u015f\u0131 m\u00fccadele kapsam\u0131nda organize etti\u011fi g\u00f6rsel ve yaz\u0131l\u0131 kampanyalar\u0131n\u0131n analizi g\u00f6stergebilimsel (anlam bi\u00e7imlerinin analizi, sembollerin kendi manalar\u0131 ve i\u015faret ettikleri sistemin daha geni\u015f perspektiften analizi) a\u00e7\u0131dan ve feminist bir kurguyla in\u015fa edilmi\u015ftir. Elde edilen sonu\u00e7lar; KADEM\u2019in y\u00fcr\u00fctt\u00fc\u011f\u00fc kampanyalar\u0131n ba\u015far\u0131l\u0131 ve ilgi \u00e7ekici oldu\u011funa i\u015faret etse de kampanyan\u0131n kurgusunun muhafazak\u00e2r ideoloji ve geleneksel dinamikler etraf\u0131nda \u015fekillendi\u011fini ve \u00f6zellikle feminist teori ba\u011flam\u0131nda kad\u0131n hareketine yeterli katk\u0131da bulunamad\u0131\u011f\u0131n\u0131 g\u00f6stermektedir.<\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Anahtar kelimeler: <\/strong> Kad\u0131n hareketi, Varolu\u015f\u00e7u feminizm, Medya, KADEM, Muhafazak\u00e2rl\u0131k.<\/p>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">Ekmel Ge\u00e7er \/ Esra K\u0131ymaz<\/span><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"> <a href=\"https:\/\/doi.org\/10.29224\/insanveinsan.458413\">DOI: 10.29224\/insanveinsan.458413<\/a><\/span><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><a title=\"Issue 20, Spring 2019\" href=\"\/en\/sayi-20-bahar-2019\/\">Year 6, Issue 20, Spring 2019<\/a><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-119 size-full\" src=\"\/wp-content\/uploads\/pdf-e1407190133528.png\" alt=\"\" width=\"50\" height=\"50\" \/><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">Tam metin \/ Full text<br \/>\n(Turkish) <\/span><\/p>\n<div style=\"width: 230px;\">\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/p>\n<div style=\"float: left; width: 20px;\"><img decoding=\"async\" style=\"border-width:0\" src=\"\/wp-content\/uploads\/izleme-icon.png\"><\/div>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/span><\/p>\n<div style=\"float: left; width: 40px;\">[post-views]<\/div>\n<div style=\"float: left; width: 20px;\"><img decoding=\"async\" style=\"border-width:0\" src=\"\/wp-content\/uploads\/indirme-icon.png\"><\/div>\n<div style=\"float: left; width: 145px;\"><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><div class=\"sdm_download_count\"><span class=\"sdm_count_number\">381<\/span><span class=\"sdm_count_string\"> Downloads<\/span><\/div><\/span><\/div>\n<p><br style=\"clear: left;\"><\/p>\n<p><\/span><\/div>\n<div class=\"sdm_download_button_box_default\"><div class=\"sdm_download_link\"><a href=\"https:\/\/www.insanveinsan.org\/?sdm_process_download=1&download_id=3414\" class=\"sdm_download grey\" title=\"20-4 Ekmel Ge\u00e7er \/ Esra K\u0131ymaz\" target=&quot;_blank&quot;>Download Now!<\/a><\/div><\/div>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"> <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\"><img decoding=\"async\" alt=\"Creative Commons License\" style=\"border-width:0\" src=\"https:\/\/i.creativecommons.org\/l\/by-nc\/4.0\/80x15.png\" \/><\/a><br \/>This work is licensed under a <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/span><br \/>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>Ekmel Ge\u00e7er \/ Esra K\u0131ymaz Abstract: The issue of violence against women has been able to be on the social agenda particularly through support of media courses. However, although the violence against woman well-represented in the media and echoed in the political arena, due to the traditional, local and cultural codes the struggle against the &hellip; <a href=\"https:\/\/www.insanveinsan.org\/en\/kadin-haklari-ve-algisinin-ideolojik-oruntusu-kadem-ornegi\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Ideological Surroundings of Women\u2019s Rights and Perception: The Case of KADEM<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-3467","post","type-post","status-publish","format-standard","hentry","category-sayi-20-bahar-2019"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/3467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=3467"}],"version-history":[{"count":0,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/3467\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=3467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=3467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=3467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}