{"id":3601,"date":"2019-08-01T11:44:04","date_gmt":"2019-08-01T08:44:04","guid":{"rendered":"https:\/\/insanveinsan.org\/?p=3601"},"modified":"2019-08-09T11:46:28","modified_gmt":"2019-08-09T08:46:28","slug":"geleneksel-mimariye-oykunme-baglaminda-gunumuz-safranbolu-sivil-mimarisi","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/geleneksel-mimariye-oykunme-baglaminda-gunumuz-safranbolu-sivil-mimarisi\/","title":{"rendered":"Today\u2019s Safranbolu Civil Architecture in Respect to Imitation of Traditional Architecture"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>B\u00fclent Oral<\/strong><\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Abstract: <\/strong> In this study, effect of traditional Safranbolu architecture\u2019s style on new constructions built in modern period via example structures are aimed to be presented. Thus, the aspects affect today\u2019s art understanding, factors reveal these aspects and effect of all these to modern art will be understandable. Especially after 2000, efforts of imitation to traditional patterns in newly constructed sites and resorts created new structural types of acchitecture and eclectic conceptions. Adheison to tradition in structures are dense on the front but it was not reflected indoors to this extend. Imitation to traditional structure in city is dense in Eski \u00c7ar\u015f\u0131, K\u0131rank\u00f6y and Ba\u011flarba\u015f\u0131 districts and abouts and the tendancy to this matter seems to increase. Historical Safranbolu city is the only urban protected area accepted as World Cultural Heritage by the UNESCO within the borders of our country. This situation made visible the orientation efforts between modern and traditional architecture.<\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Keywords: <\/strong> Safranbolu, Architecture, Modern, Traditional, Civil.<\/p>\n<h1> Geleneksel Mimariye \u00d6yk\u00fcnme Ba\u011flam\u0131nda G\u00fcn\u00fcm\u00fcz Safranbolu Sivil Mimarisi <\/h1>\n<p style=\"text-align: justify; font-size: 15px\"><strong>\u00d6z: <\/strong> Bu \u00e7al\u0131\u015fmada Safranbolu geleneksel mimari \u00fcslubunun g\u00fcn\u00fcm\u00fczde in\u015fa edilmi\u015f yap\u0131lara etkisini \u00f6rnek yap\u0131lar e\u015fli\u011finde ortaya koymak ama\u00e7lanm\u0131\u015ft\u0131r. B\u00f6ylece konu edilen \u00e7al\u0131\u015fma ba\u011flam\u0131nda g\u00fcn\u00fcm\u00fcz sanat yakla\u015f\u0131mlar\u0131n\u0131 etkileyen unsurlar, bu unsurlar\u0131 ortaya \u00e7\u0131karan etkenler ile t\u00fcm bunlar\u0131n modern sanata etkisi a\u00e7\u0131klanm\u0131\u015ft\u0131r. Kentte geleneksel dokuya \u00f6yk\u00fcnme \u00f6zellikle Eski \u00c7ar\u015f\u0131, K\u0131rank\u00f6y ve Ba\u011flarba\u015f\u0131 Mahallesi\u2019ne yak\u0131n ya da o b\u00f6lgeye h\u00e2kim noktalarda yer alan mahallelerde yo\u011funla\u015fm\u0131\u015f olup bu y\u00f6ndeki e\u011filimin artarak devam etti\u011fi g\u00f6r\u00fclmektedir. Tarihi Safranbolu kentinin \u00fclkemiz s\u0131n\u0131rlar\u0131 i\u00e7inde UNESCO taraf\u0131ndan D\u00fcnya K\u00fclt\u00fcr Miras\u0131 olarak kabul edilen tek kentsel sit alan\u0131 olmas\u0131 Safranbolu\u2019nun modern yap\u0131 uygulamalar\u0131nda geleneksel yap\u0131ya \u00f6yk\u00fcnme ya da onu temsil edebilecek uygulamalar ile modern ve geleneksel mimari aras\u0131nda uyum yakalama \u00e7abalar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lm\u0131\u015ft\u0131r. \u00d6zellikle 2000 y\u0131l\u0131 ve sonras\u0131nda yeni in\u015fa edilen siteler ve konaklama tesislerindeki geleneksel dokuya \u00f6yk\u00fcnme \u00e7abalar\u0131, modern d\u00f6nemde in\u015fa edilmi\u015f binalarda geleneksel \u00f6gelerin mimariye se\u00e7meci anlay\u0131\u015fta ta\u015f\u0131nd\u0131\u011f\u0131 yap\u0131 tiplerini ortaya \u00e7\u0131karm\u0131\u015ft\u0131r.<\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Anahtar kelimeler: <\/strong> Safranbolu, Mimari, Modern, Geleneksel, Sivil.<\/p>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">B\u00fclent Oral<\/span><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><a href=\"https:\/\/doi.org\/10.29224\/insanveinsan.526182\">DOI: 10.29224\/insanveinsan.526182<\/a><\/span><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><a title=\"Issue 21, Summer 2019\" href=\"\/en\/sayi-21-yaz-2019\/\">Year 6, Issue 21, Summer 2019<\/a><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-119 size-full\" src=\"\/wp-content\/uploads\/pdf-e1407190133528.png\" alt=\"\" width=\"50\" height=\"50\" \/><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">Tam metin \/ Full text<br \/>\n(Turkish) <\/span><\/p>\n<div style=\"width: 230px;\">\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/p>\n<div style=\"float: left; width: 20px;\"><img decoding=\"async\" style=\"border-width:0\" src=\"\/wp-content\/uploads\/izleme-icon.png\"><\/div>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/span><\/p>\n<div style=\"float: left; width: 40px;\">[post-views]<\/div>\n<div style=\"float: left; width: 20px;\"><img decoding=\"async\" style=\"border-width:0\" src=\"\/wp-content\/uploads\/indirme-icon.png\"><\/div>\n<div style=\"float: left; width: 145px;\"><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><div class=\"sdm_download_count\"><span class=\"sdm_count_number\">391<\/span><span class=\"sdm_count_string\"> Downloads<\/span><\/div><\/span><\/div>\n<p><br style=\"clear: left;\"><\/p>\n<p><\/span><\/div>\n<div class=\"sdm_download_button_box_default\"><div class=\"sdm_download_link\"><a href=\"https:\/\/www.insanveinsan.org\/?sdm_process_download=1&download_id=3583\" class=\"sdm_download grey\" title=\"21-11-B\u00fclent Oral\" target=&quot;_blank&quot;>Download Now!<\/a><\/div><\/div>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"> <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\"><img decoding=\"async\" alt=\"Creative Commons License\" style=\"border-width:0\" src=\"https:\/\/i.creativecommons.org\/l\/by-nc\/4.0\/80x15.png\" \/><\/a><br \/>This work is licensed under a <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/span><br \/>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>B\u00fclent Oral Abstract: In this study, effect of traditional Safranbolu architecture\u2019s style on new constructions built in modern period via example structures are aimed to be presented. Thus, the aspects affect today\u2019s art understanding, factors reveal these aspects and effect of all these to modern art will be understandable. Especially after 2000, efforts of imitation &hellip; <a href=\"https:\/\/www.insanveinsan.org\/en\/geleneksel-mimariye-oykunme-baglaminda-gunumuz-safranbolu-sivil-mimarisi\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Today\u2019s Safranbolu Civil Architecture in Respect to Imitation of Traditional Architecture<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-3601","post","type-post","status-publish","format-standard","hentry","category-sayi-21-yaz-2019"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/3601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=3601"}],"version-history":[{"count":0,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/3601\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=3601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=3601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=3601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}