{"id":3607,"date":"2019-08-01T11:55:57","date_gmt":"2019-08-01T08:55:57","guid":{"rendered":"https:\/\/insanveinsan.org\/?p=3607"},"modified":"2019-08-09T11:57:14","modified_gmt":"2019-08-09T08:57:14","slug":"amfitiyatro-panoptikon-ve-gorme-rejimleri","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/amfitiyatro-panoptikon-ve-gorme-rejimleri\/","title":{"rendered":"Amphitheater, Panopticon and Vision Regimes"},"content":{"rendered":"

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Tuba Kanc\u0131<\/strong><\/p>\n

Abstract: <\/strong> Greek amphitheater and Bentham\u2019s panopticon are cultural works of different historical and social contexts. Amphitheater and panopticon belong to the ancient Greek city-state and 19th century modernity respectively. Their relationship with visuality is shaped within these contexts as well. In the 19th century, spaces of performance were replaced by spaces designed to limit and discipline. The comparison of these two architectural structures shows us the difference of modernity from the classical period. This article aims to look at amphitheater and panopticon\u2019s relationship with the cultural and political dimensions of vision regimes of the societies from which they originate and suggests that these two architectural forms can be used as metaphors that characterize those societies. In this sense, this article also looks at the relationship between different architectural forms and the dominant understanding of politics, freedom, control and discipline in the societies which these architectural forms represent.<\/p>\n

Keywords: <\/strong> Ancient Greece, Modernity, Amphitheater, Panopticon.<\/p>\n

Amfitiyatro, Panoptikon ve G\u00f6rme Rejimleri <\/h1>\n

\u00d6z: <\/strong> Antik Yunan amfitiyatrosu ve Bentham\u2019\u0131n panoptikonu, farkl\u0131 tarihsel ve sosyal ba\u011flamlara ait mimari yap\u0131lard\u0131r. Amfitiyatro, Antik Yunan \u015fehir-devletinin ve panoptikon da 19. y\u00fczy\u0131l modernitesinin bir \u00fcr\u00fcn\u00fcyd\u00fc. Bu tarihsel ve k\u00fclt\u00fcrel eserlerin g\u00f6rsellikle olan ili\u015fkileri de bu ba\u011flamlar i\u00e7inde \u015fekillenmi\u015ftir. 19 y\u00fczy\u0131lda, performans mek\u00e2nlar\u0131, s\u0131n\u0131rlamak ve disipline etmek i\u00e7in tasarlanan mek\u00e2nlarla yer de\u011fi\u015ftirmi\u015ftir. Bu iki mimari yap\u0131n\u0131n kar\u015f\u0131la\u015ft\u0131r\u0131lmas\u0131 bize modernitenin, klasik d\u00f6nemden fark\u0131n\u0131 g\u00f6stermektedir. Bu yaz\u0131, amfitiyatro ve panoptikonun ait olduklar\u0131 toplumlar\u0131n g\u00f6rme bi\u00e7imlerinin k\u00fclt\u00fcrel ve siyasal boyutlar\u0131yla ili\u015fkisini ele almay\u0131 ama\u00e7lamakta ve bu iki mimari yap\u0131n\u0131n s\u00f6z konusu toplumlar\u0131 karakterize eden metaforlar olarak kullan\u0131labileceklerini ileri s\u00fcrmektedir. Dolay\u0131s\u0131yla, bu \u00e7al\u0131\u015fma ayn\u0131 zamanda, farkl\u0131 mimari bi\u00e7imler ile temsil ettikleri toplumlarda h\u00e2kim olan siyaset, \u00f6zg\u00fcrl\u00fck, kontrol ve disiplin anlay\u0131\u015flar\u0131 aras\u0131ndaki ili\u015fkiye bakmay\u0131 ama\u00e7lamaktad\u0131r.<\/p>\n

Anahtar kelimeler: <\/strong> Antik Yunan, Modernite, Amfitiyatro, Panoptikon.<\/p>\n\n\n\n
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Tuba Kanc\u0131 <\/span>
\n DOI: 10.29224\/insanveinsan.558757<\/a><\/span>
\nYear 6, Issue 21, Summer 2019<\/a><\/span><\/p>\n

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Tuba Kanc\u0131 Abstract: Greek amphitheater and Bentham\u2019s panopticon are cultural works of different historical and social contexts. Amphitheater and panopticon belong to the ancient Greek city-state and 19th century modernity respectively. Their relationship with visuality is shaped within these contexts as well. In the 19th century, spaces of performance were replaced by spaces designed to … Continue reading Amphitheater, Panopticon and Vision Regimes<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-3607","post","type-post","status-publish","format-standard","hentry","category-sayi-21-yaz-2019"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/3607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=3607"}],"version-history":[{"count":0,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/3607\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=3607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=3607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=3607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}