{"id":4515,"date":"2020-11-12T22:11:08","date_gmt":"2020-11-12T19:11:08","guid":{"rendered":"https:\/\/insanveinsan.org\/?p=4515"},"modified":"2020-11-12T22:13:05","modified_gmt":"2020-11-12T19:13:05","slug":"machiavellinin-iktidar-yaklasimi-baglaminda-korku-kapitalizm-iliskisi-kabuslar-evi-uyurgezerler-filmi","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/machiavellinin-iktidar-yaklasimi-baglaminda-korku-kapitalizm-iliskisi-kabuslar-evi-uyurgezerler-filmi\/","title":{"rendered":"The Fear-Capitalism Relation in the Context of Machiavelli\u2019s Approach to Power: The Nightmare House Sleepwalkers Movie"},"content":{"rendered":"

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Sedef Sub\u00f6len<\/strong><\/p>\n

Abstract: <\/strong> Looking at the historical development of fear, it can be seen that it emerges as a necessary impulse to survive in many areas of life. The concept that feeds the survival impulse that has existed since the early times of history has changed in accordance with the changing world order. From the earliest times of history, members of power in power have been aware of the influence of fear and have often used this phenomenon as a means of hegemony to strengthen their power. The article aims to focus on how the power uses fear, the formally changing characteristic of primitive fear within the framework of Machiaevelli\u2019s views. Within the scope of the study, in order to shed light on the use of fear as a power factor, based on the relationship between media, ideology and hegemony, the movie Nightmares: Sleepwalkers will be discussed with discourse and semiotic analysis.<\/p>\n

Keywords: <\/strong> Fear, Power, Ideology, Machiavelli, Cinema <\/p>\n

Machiavelli\u2019nin \u0130ktidar Yakla\u015f\u0131m\u0131 Ba\u011flam\u0131nda Korku-Kapitalizm \u0130li\u015fkisi: Kabuslar Evi Uyurgezerler Filmi <\/h1>\n

\u00d6z: <\/strong> Korku hayat\u0131n pek \u00e7ok alan\u0131nda ya\u015fam\u0131 s\u00fcrd\u00fcrmek i\u00e7in gerekli bir d\u00fcrt\u00fc olarak ortaya \u00e7\u0131km\u0131\u015ft\u0131r. Tarihin ilk zamanlar\u0131ndan beri var olan hayatta kalma d\u00fcrt\u00fcs\u00fcn\u00fc besleyen kavram, de\u011fi\u015fen d\u00fcnya d\u00fczenine uygun olarak de\u011fi\u015fim g\u00f6stermi\u015ftir. Zaman i\u00e7inde, bireyin ilkel korkular\u0131n\u0131n yerini modern hayata ili\u015fkin endi\u015feleri alm\u0131\u015ft\u0131r. Tarihin ilk d\u00f6nemlerinden bu yana, g\u00fcc\u00fc elinde bulunduran iktidar mensuplar\u0131 korkunun etkisinin fark\u0131nda olmu\u015ftur ve bu olguyu iktidarlar\u0131n\u0131 g\u00fc\u00e7lendirmek i\u00e7in s\u0131kl\u0131kla hegemonya arac\u0131 olarak kullanm\u0131\u015ft\u0131r. Makale, bu ba\u011flamda iktidar\u0131n korkuyu nas\u0131l kulland\u0131\u011f\u0131na, ilkel korkunun bi\u00e7imsel olarak de\u011fi\u015fen karakteristi\u011fine Machiaevelli\u2019nin g\u00f6r\u00fc\u015fleri \u00e7er\u00e7evesinde odaklanmay\u0131 ama\u00e7lamaktad\u0131r. \u00c7al\u0131\u015fma kapsam\u0131nda medya, ideoloji ve hegemonya ili\u015fkisinden yola \u00e7\u0131k\u0131larak korkunun g\u00fc\u00e7 unsuru olarak kullan\u0131m\u0131na \u0131\u015f\u0131k tutmak amac\u0131yla, Kabuslar Evi: Uyurgezerler filmi s\u00f6ylem analizi ve g\u00f6stergebilimsel \u00e7\u00f6z\u00fcmleme ile ele al\u0131nacakt\u0131r.<\/p>\n

Anahtar kelimeler: <\/strong> Korku, \u0130ktidar, \u0130deoloji, Machiavelli, Sinema <\/p>\n\n\n\n
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Sedef Sub\u00f6len<\/span>
\n DOI: 10.29224\/insanveinsan.789808<\/a><\/span>
\nYear 7, Issue 26, Fall 2020<\/a><\/span><\/p>\n

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Sedef Sub\u00f6len Abstract: Looking at the historical development of fear, it can be seen that it emerges as a necessary impulse to survive in many areas of life. The concept that feeds the survival impulse that has existed since the early times of history has changed in accordance with the changing world order. From the … Continue reading The Fear-Capitalism Relation in the Context of Machiavelli\u2019s Approach to Power: The Nightmare House Sleepwalkers Movie<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-4515","post","type-post","status-publish","format-standard","hentry","category-sayi-26-guz-2020"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/4515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=4515"}],"version-history":[{"count":4,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/4515\/revisions"}],"predecessor-version":[{"id":4541,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/4515\/revisions\/4541"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=4515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=4515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=4515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}