{"id":4668,"date":"2021-03-30T19:03:19","date_gmt":"2021-03-30T16:03:19","guid":{"rendered":"https:\/\/www.insanveinsan.org\/?p=4668"},"modified":"2021-03-30T19:03:19","modified_gmt":"2021-03-30T16:03:19","slug":"karantinada-dasein-olmak-homemade-antoloji-serisine-heideggerci-bir-okuma","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/karantinada-dasein-olmak-homemade-antoloji-serisine-heideggerci-bir-okuma\/","title":{"rendered":"Being Dasein in Quarantine: A Heideggerian Reading of the Homemade Anthology Series"},"content":{"rendered":"

<\/p>\n

Yasemin \u00d6zkent<\/strong><\/p>\n

Abstract: <\/strong> Homemade (2020), a short film anthology, was released by Netflix while the entire world was in quarantine because of the coronavirus pandemic. Seventeen short films shot by different directors narrate independent storylines. They expose existential themes experienced along with the pandemic crisis such as \u201ccare (Sorge)\u201d, \u201cfear (Furcht)\u201d, \u201canxiety (Angst)\u201d, \u201csolitude\u201d and \u201cdeath\u201d in an artistic manner. The present study argues that Homemade has a narrative structure revealing Martin Heidegger\u2019s philosophy as an action. In this respect, the study aims to discover the themes of Heidegger\u2019s existential ontology through the example of Homemade. It links Heidegger\u2019s ontology with the changes in the emotional and intellectual world of human beings within the crisis environment caused by the pandemic. The short films were evaluated within the framework of the concept of Dasein, which Heidegger established as the way of understanding being. The study analyses the quarantine and the pandemic on the basis of \u201cbeing-in-the-World\u201d (ln-der-Welt-sein), \u201cbeing-in concern\u201d (Sorge), and \u201cbeing-towards-death\u201d (Sein zum Tode), which are the fundamental ends of being Dasein. In this context, it is argued that the quarantine reveals the most personal means of the own being of quotidian Dasein.<\/p>\n

Keywords: <\/strong> Coronavirus, Martin Heidegger, Dasein, Anthology Series, Homemade<\/p>\n

Karantinada Dasein Olmak: Homemade Antoloji Serisine Heideggerci Bir Okuma <\/h1>\n

\u00d6z: <\/strong> Homemade (2020) isimli k\u0131sa film antolojisi koronavir\u00fcs pandemisi nedeniyle nere-deyse t\u00fcm d\u00fcnyan\u0131n karantinada oldu\u011fu s\u0131rada Netflix taraf\u0131ndan yay\u0131nlanm\u0131\u015ft\u0131r. Farkl\u0131 y\u00f6netmenler taraf\u0131ndan \u00e7ekilmi\u015f on yedi k\u0131sa film, birbirinden ba\u011f\u0131ms\u0131z hik\u00e2yelerinden olu\u015fmaktad\u0131r. Filmler, pandemi kriziyle birlikte ya\u015fanan \u201ckayg\u0131\u201d, \u201ckorku\u201d, \u201cendi\u015fe\u201d, \u201cyaln\u0131zl\u0131k\u201d ve \u201c\u00f6l\u00fcm\u201d gibi varolu\u015fsal temalar\u0131, sanatsal bir dille if\u015fa etmektedir. Bu d\u00fc-\u015f\u00fcncelerden yola \u00e7\u0131kan \u00e7al\u0131\u015fmada Homemade\u2019in, Martin Heidegger\u2019in felsefesini bir eylem olarak a\u00e7\u0131\u011fa \u00e7\u0131karan anlat\u0131 yap\u0131s\u0131na sahip oldu\u011fu ileri s\u00fcr\u00fclmektedir. Bu do\u011frultuda, Homemade \u00f6rneklemi \u00fczerinden Heidegger\u2019in varolu\u015fsal ontolojisinin \u00f6zc\u00fc temalar\u0131n\u0131n bulgulanmas\u0131 ama\u00e7lanmaktad\u0131r. \u00c7al\u0131\u015fmada, Heidegger\u2019in ontolojisi, pandeminin olu\u015f-turdu\u011fu kriz ortam\u0131ndaki insan\u0131n duygu ve d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131ndaki de\u011fi\u015fimlerle ili\u015fkilen-dirilmi\u015ftir. K\u0131sa filmler, Heidegger\u2019in varl\u0131\u011f\u0131 anlama minvali olarak temellendirdi\u011fi Da-sein kavram\u0131 ekseninde de\u011ferlendirilmi\u015ftir. Dasein olman\u0131n temel ereklerinden \u201cd\u00fcnya-i\u00e7inde-varl\u0131k\u201d, \u201ckayg\u0131-duyan-varl\u0131k\u201d ve \u201c\u00f6l\u00fcme-do\u011fru-varl\u0131k\u201d \u00fczerinden karantina ve pandemi s\u00fcreci tahlil edilmi\u015ftir. Bu ba\u011flamda karantinan\u0131n, her g\u00fcnk\u00fc Dasein\u2019\u0131n kendi varl\u0131\u011f\u0131n\u0131n en zati imk\u00e2n\u0131n\u0131 a\u00e7\u0131\u011fa \u00e7\u0131kard\u0131\u011f\u0131 savunulmaktad\u0131r. Dasein izole bir \u015fekilde ya-\u015farken, ba\u015fkalar\u0131yla-birlikte-varoldu\u011funu bilerek kendi varolu\u015funu tesis etme yoluna girmi\u015ftir.<\/p>\n

Anahtar kelimeler: <\/strong> Koronavir\u00fcs, Martin Heidegger, Dasein, Antoloji Serisi, Homemade<\/p>\n\n\n\n
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Yasemin \u00d6zkent<\/span>
\n DOI: 10.29224\/insanveinsan.852337<\/a><\/span>
\nYear 8, Issue 28, Spring 2021<\/a><\/span><\/p>\n

\"\"
\nTam metin \/ Full text
\n(Turkish) <\/span><\/p>\n

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Yasemin \u00d6zkent Abstract: Homemade (2020), a short film anthology, was released by Netflix while the entire world was in quarantine because of the coronavirus pandemic. Seventeen short films shot by different directors narrate independent storylines. They expose existential themes experienced along with the pandemic crisis such as \u201ccare (Sorge)\u201d, \u201cfear (Furcht)\u201d, \u201canxiety (Angst)\u201d, \u201csolitude\u201d and … Continue reading Being Dasein in Quarantine: A Heideggerian Reading of the Homemade Anthology Series<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-4668","post","type-post","status-publish","format-standard","hentry","category-sayi-28-bahar-2021"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/4668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=4668"}],"version-history":[{"count":1,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/4668\/revisions"}],"predecessor-version":[{"id":4669,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/4668\/revisions\/4669"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=4668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=4668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=4668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}