{"id":4969,"date":"2022-01-04T13:03:20","date_gmt":"2022-01-04T10:03:20","guid":{"rendered":"https:\/\/www.insanveinsan.org\/?p=4969"},"modified":"2022-01-04T13:03:20","modified_gmt":"2022-01-04T10:03:20","slug":"apartman-temizleyicisinin-bir-kadin-olarak-portresi-kul","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/apartman-temizleyicisinin-bir-kadin-olarak-portresi-kul\/","title":{"rendered":"Portrait of an Apartment Cleaner as a Woman: The Slave"},"content":{"rendered":"

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Efnan Dervi\u015fo\u011flu<\/strong><\/p>\n

Abstract: <\/strong Seray \u015eahiner, first known as a story writer, she gathered her essays under the title \"Skip the Ad\", after her first novel Antabus was published in 2014. The author\u2019s second novel The Slave was published in 2017. \u201cKul\u201d focusing on the life of Mercan who makes her living by cleaning apartment stairs bring \u015eahiner in 2018 the Orhan Kemal Novel Gift. \u201cKul\u201d is a novel about Mercan's deficiencies in her life, her relationship with television, her longing for her deceased husband and unborn child, and the remedies she seeks in the meantime while she tries to cope with her loneliness and despair. Mercan represents the women who make a living through their labor and lead their lives unnoticed. This article consists of sections with subtitles \u201cThose uppers and those below\u201d, \u201cMercan's solitude and embrace with television\u201d, \u201cMercan's walk out into the street to her individuality\u201d and \u201c47. Orhan Kemal Novel Gift\u201d and aims to reveal the unique qualities of Mercan's effort to stand on her own feet.\n\n\n

Keywords: <\/strong> Seray \u015eahiner, Literature, Novel, The Slave, Woman<\/p>\n\n\n\n
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Efnan Dervi\u015fo\u011flu<\/span>
\n DOI: 10.29224\/insanveinsan.1009920<\/a><\/span>
\nYear 9, Issue 31, Winter 2022<\/a><\/span><\/p>\n

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\nTam metin \/ Full text
\n(Turkish)<\/span><\/p>\n

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Efnan Dervi\u015fo\u011flu Abstract:<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-4969","post","type-post","status-publish","format-standard","hentry","category-sayi-31-kis-2022"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/4969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=4969"}],"version-history":[{"count":1,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/4969\/revisions"}],"predecessor-version":[{"id":4970,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/4969\/revisions\/4970"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=4969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=4969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=4969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}