{"id":5017,"date":"2022-04-01T21:57:47","date_gmt":"2022-04-01T18:57:47","guid":{"rendered":"https:\/\/www.insanveinsan.org\/?p=5017"},"modified":"2022-04-01T21:57:47","modified_gmt":"2022-04-01T18:57:47","slug":"edebiyat-donem-ve-siyaset-iliskisi-baglaminda-kuyucakli-yusufa-yoneltilen-elestirel-bakislar","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/edebiyat-donem-ve-siyaset-iliskisi-baglaminda-kuyucakli-yusufa-yoneltilen-elestirel-bakislar\/","title":{"rendered":"Critical Approaches on Kuyucakl\u0131 Yusuf in the Context of Relationship Between Literature, Period and Politics"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Bet\u00fcl Mutlu<\/strong><\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Abstract: <\/strong> According to reception aesthetic which is one of the reader-centered theories, literary works continue to create meaning in the eye of the readers within the frame of new contexts changing at the following periods as well as being the product of historical and social context at their period. As for Hans Robert Jauss, the meaning of a work is received in various ways in time, in other words, through the historical period within the context of work and reader interaction. While the social, cultural, and ideological circumstances of historical period of the readers are changing, some changes in the reception of a literary work also come up. In this article, critical reviews that were written on Kuyucakl\u0131 Yusuf (1937) at different periods were analyzed within the frame of literary, historical and political qualities of their periods based on Jaus\u2019s ideas. After that, it was aimed to identify the perceptions which changed and evolved about the novel in time. The novel was criticized in a positive light as it talked about real life in Anatolia in those years and it had powerful observation skills, and in a negative way as it idealized the characters. After 60s, it is seen that socialist realistic side of the novel was brought up as well as realism-romantism association\/incoherence in the novel.<\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Keywords: <\/strong> Sabahattin Ali, Kuyucakl\u0131 Yusuf, Critic, Text-readerinteraction, Perception aesthetic<\/p>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">Bet\u00fcl Mutlu<\/span><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"> <a href=\"https:\/\/doi.org\/10.29224\/insanveinsan.1055042\">DOI: 10.29224\/insanveinsan.1055042<\/a><\/span><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><a title=\"Issue 32, Spring 2022\" href=\"\/en\/sayi-32-bahar-2022\/\">Year 9, Issue 32, Spring 2022<\/a><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-119 size-full\" src=\"\/wp-content\/uploads\/pdf-e1407190133528.png\" alt=\"\" width=\"50\" height=\"50\" \/><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">Tam metin \/ Full text<br \/>\n(Turkish)<\/span><\/p>\n<div style=\"width: 230px;\">\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/p>\n<div style=\"float: left; width: 20px;\"><img decoding=\"async\" style=\"border-width:0\" src=\"\/wp-content\/uploads\/izleme-icon.png\"><\/div>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/span><\/p>\n<div style=\"float: left; width: 40px;\">[post-views]<\/div>\n<div style=\"float: left; width: 20px;\"><img decoding=\"async\" style=\"border-width:0\" src=\"\/wp-content\/uploads\/indirme-icon.png\"><\/div>\n<div style=\"float: left; width: 145px;\"><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><div class=\"sdm_download_count\"><span class=\"sdm_count_number\">478<\/span><span class=\"sdm_count_string\"> Downloads<\/span><\/div><\/span><\/div>\n<p><br style=\"clear: left;\"><\/p>\n<p><\/span><\/div>\n<div class=\"sdm_download_button_box_default\"><div class=\"sdm_download_link\"><a href=\"https:\/\/www.insanveinsan.org\/?sdm_process_download=1&download_id=5003\" class=\"sdm_download grey\" title=\"(Turkish) 32-5 Bet\u00fcl Mutlu\" target=&quot;_blank&quot;>Download Now!<\/a><\/div><\/div>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"> <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\"><img decoding=\"async\" alt=\"Creative Commons License\" style=\"border-width:0\" src=\"https:\/\/i.creativecommons.org\/l\/by-nc\/4.0\/80x15.png\" \/><\/a><br \/>This work is licensed under a <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/span><br \/>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>Bet\u00fcl Mutlu Abstract: According to reception aesthetic which is one of the reader-centered theories, literary works continue to create meaning in the eye of the readers within the frame of new contexts changing at the following periods as well as being the product of historical and social context at their period. As for Hans Robert &hellip; <a href=\"https:\/\/www.insanveinsan.org\/en\/edebiyat-donem-ve-siyaset-iliskisi-baglaminda-kuyucakli-yusufa-yoneltilen-elestirel-bakislar\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Critical Approaches on Kuyucakl\u0131 Yusuf in the Context of Relationship Between Literature, Period and Politics<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[63,64,61,62,60,66,59,65],"class_list":["post-5017","post","type-post","status-publish","format-standard","hentry","category-sayi-32-bahar-2022","tag-alimlama-estetigi","tag-critic","tag-elestiri","tag-eser-okur-etkilesimi","tag-kuyucakli-yusuf","tag-perception-aesthetic","tag-sabahattin-ali","tag-text-readerinteraction"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/5017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=5017"}],"version-history":[{"count":1,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/5017\/revisions"}],"predecessor-version":[{"id":5018,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/5017\/revisions\/5018"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=5017"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=5017"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=5017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}