{"id":5607,"date":"2025-07-04T22:29:21","date_gmt":"2025-07-04T19:29:21","guid":{"rendered":"https:\/\/www.insanveinsan.org\/?p=5607"},"modified":"2025-07-05T21:43:00","modified_gmt":"2025-07-05T18:43:00","slug":"toplumsal-degisimin-turk-komedi-filmlerine-yansimasi-1960tan-gunumuze-ornek-filmler-uzerinden-komedinin-donusumu","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/toplumsal-degisimin-turk-komedi-filmlerine-yansimasi-1960tan-gunumuze-ornek-filmler-uzerinden-komedinin-donusumu\/","title":{"rendered":"The Reflection of Social Change on Turkish Comedy Films: The Transformation of the Ridiculous through Sample Films from 1960 to the Present"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>\u00d6zge Kesici \/ G\u00f6khan G\u00fcltekin<\/strong><\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Abstract: <\/strong> The aim of this study is to discuss the transformation of comedy films in the period from 1960 to the present day, especially similar to social change, through sample films. In order to reveal how the films included in the comedy genre have changed and transformed in the historical process in relation to the social structure, genre criticism, sociological criticism and historical criticism which are preferred in film studies were utilized. In this context, the films Turist \u00d6mer (1964), Hababam S\u0131n\u0131f\u0131 (1975), Z\u00fc\u011f\u00fcrt A\u011fa (1985), Her \u015eey \u00c7ok G\u00fczel Olacak (1998), Recep \u0130vedik (2008), Aile Aras\u0131nda (2017), and \u00d6l\u00fcml\u00fc D\u00fcnya 2 (2023) have been analyzed. It can be argued that the objective of these films is not solely to provoke laughter. It is observed that a multitude of social realities-such as shifting consumption patterns, urbanization, individualization, cultural degeneration, moral decay, gender issues, and a growing indifference to the environment-are addressed within the films included in the sample. As a result, it has been determined how comedy films have experienced a transformation from 1960 to the present, especially in parallel with social change has been determined through the analysis of sample films.<\/p>\n<p style=\"text-align: justify; font-size: 15px\"><strong>Keywords: <\/strong> Social change, Cinema, Turkish films, Comedy, Transformation of the comedy<\/p>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"> \u00d6zge Kesici \/ G\u00f6khan G\u00fcltekin <\/span><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"> <a href=\"https:\/\/doi.org\/10.29224\/insanveinsan.1662656\">DOI: 10.29224\/insanveinsan.1662656<\/a><\/span><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><a title=\"Issue 40, Summer 2025\" href=\"\/en\/sayi-40-yaz-2025\/\">Year 12, Issue 40, Summer 2025<\/a><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-119 size-full\" src=\"\/wp-content\/uploads\/pdf-e1407190133528.png\" alt=\"\" width=\"50\" height=\"50\" \/><br \/>\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\">Tam metin \/ Full text<br \/>\n(Turkish)<\/span><\/p>\n<div style=\"width: 230px;\">\n<span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/p>\n<div style=\"float: left; width: 20px;\"><img decoding=\"async\" style=\"border-width:0\" src=\"\/wp-content\/uploads\/izleme-icon.png\"><\/div>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><\/span><\/p>\n<div style=\"float: left; width: 40px;\">[post-views]<\/div>\n<div style=\"float: left; width: 20px;\"><img decoding=\"async\" style=\"border-width:0\" src=\"\/wp-content\/uploads\/indirme-icon.png\"><\/div>\n<div style=\"float: left; width: 145px;\"><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"><div class=\"sdm_download_count\"><span class=\"sdm_count_number\">312<\/span><span class=\"sdm_count_string\"> Downloads<\/span><\/div><\/span><\/div>\n<p><br style=\"clear: left;\"><\/p>\n<p><\/span><\/div>\n<div class=\"sdm_download_button_box_default\"><div class=\"sdm_download_link\"><a href=\"https:\/\/www.insanveinsan.org\/?sdm_process_download=1&download_id=5593\" class=\"sdm_download grey\" title=\"(Turkish) 40-7 \u00d6zge Kesici &#8211; G\u00f6khan G\u00fcltekin\" target=&quot;_blank&quot;>Download Now!<\/a><\/div><\/div>\n<table bgcolor=\"transparent\">\n<tbody>\n<tr>\n<td style=\"border-bottom: 1px dashed gray;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"text-decoration: none; font-variant: normal; font-weight: normal; font-stretch: normal; font-size: 15px; line-height: normal; font-family: 'minion pro', arial, sans-serif;\"> <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\"><img decoding=\"async\" alt=\"Creative Commons License\" style=\"border-width:0\" src=\"https:\/\/i.creativecommons.org\/l\/by-nc\/4.0\/80x15.png\" \/><\/a><br \/>This work is licensed under a <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>\u00d6zge Kesici \/ G\u00f6khan G\u00fcltekin Abstract: The aim of this study is to discuss the transformation of comedy films in the period from 1960 to the present day, especially similar to social change, through sample films. In order to reveal how the films included in the comedy genre have changed and transformed in the historical &hellip; <a href=\"https:\/\/www.insanveinsan.org\/en\/toplumsal-degisimin-turk-komedi-filmlerine-yansimasi-1960tan-gunumuze-ornek-filmler-uzerinden-komedinin-donusumu\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">The Reflection of Social Change on Turkish Comedy Films: The Transformation of the Ridiculous through Sample Films from 1960 to the Present<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[112],"tags":[],"class_list":["post-5607","post","type-post","status-publish","format-standard","hentry","category-sayi-40-yaz-2025"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/5607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=5607"}],"version-history":[{"count":2,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/5607\/revisions"}],"predecessor-version":[{"id":5637,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/5607\/revisions\/5637"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=5607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=5607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=5607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}