{"id":5615,"date":"2025-07-04T22:38:46","date_gmt":"2025-07-04T19:38:46","guid":{"rendered":"https:\/\/www.insanveinsan.org\/?p=5615"},"modified":"2025-07-04T22:38:46","modified_gmt":"2025-07-04T19:38:46","slug":"yeni-turk-sinemasinda-yavaslik-ve-ayrisan-estetik-nuri-bilge-ceylan-ve-zeki-demirkubuz","status":"publish","type":"post","link":"https:\/\/www.insanveinsan.org\/en\/yeni-turk-sinemasinda-yavaslik-ve-ayrisan-estetik-nuri-bilge-ceylan-ve-zeki-demirkubuz\/","title":{"rendered":"Slowness and Diverging Aesthetics: Nuri Bilge Ceylan and Zeki Demirkubuz in New Turkish Cinema"},"content":{"rendered":"

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Z\u00fchre Canay G\u00fcven<\/strong><\/p>\n

Abstract: <\/strong> New Turkish Cinema embraces minimalist audio-visual elements, with long takes, contemplative narratives, and a mediated film experience that invites slow engagement and introspection. Through a focused comparison of Nuri Bilge Ceylan and Zeki Demirkubuz, two of the most influential and internationally recognized figures in this movement, this article examines how their distinct directorial styles articulate the aesthetics of slowness. Both emerged in the 1990s as central figures in the post-Ye\u015fil\u00e7am cinematic landscape, yet their approaches differ markedly. Ceylan’s films employ rural landscapes, subdued rhythms, and interior stillness, while Demirkubuz crafts existential narratives in confined urban settings through stark realism and elliptical storytelling. Despite their stylistic differences, both directors adopt techniques associated with global slow cinema. This article argues that slowness in New Turkish Cinema functions not merely as a matter of pacing, but as a cinematic strategy for expressing cultural unease, offering a lens to reflect on memory and identity.<\/p>\n

Keywords: <\/strong> New Turkish cinema, Slow cinema, Contemplative cinema, Nuri Bilge Ceylan, Zeki Demirkubuz<\/p>\n\n\n\n
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Z\u00fchre Canay G\u00fcven<\/span>
\n DOI: 10.29224\/insanveinsan.1658448<\/a><\/span>
\nYear 12, Issue 40, Summer 2025<\/a><\/span><\/p>\n

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Z\u00fchre Canay G\u00fcven Abstract: New Turkish Cinema embraces minimalist audio-visual elements, with long takes, contemplative narratives, and a mediated film experience that invites slow engagement and introspection. Through a focused comparison of Nuri Bilge Ceylan and Zeki Demirkubuz, two of the most influential and internationally recognized figures in this movement, this article examines how their … Continue reading Slowness and Diverging Aesthetics: Nuri Bilge Ceylan and Zeki Demirkubuz in New Turkish Cinema<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[112],"tags":[],"class_list":["post-5615","post","type-post","status-publish","format-standard","hentry","category-sayi-40-yaz-2025"],"_links":{"self":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/5615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/comments?post=5615"}],"version-history":[{"count":1,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/5615\/revisions"}],"predecessor-version":[{"id":5616,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/posts\/5615\/revisions\/5616"}],"wp:attachment":[{"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/media?parent=5615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/categories?post=5615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.insanveinsan.org\/en\/wp-json\/wp\/v2\/tags?post=5615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}